SOLO EXHIBITIONS
GROUP EXHIBITIONS

Writings by the Artist
Interviews, Articles and Reviews
Catalogues and Books
Films and Public Collections
   
GROUP EXHIBITIONS

1959 New Work by New Artists, The Alan Gallery, New York
1965 Current Art, Institute of Contemporary Art, University of Pennsylvania,
Philadelphia
American Express Pavillion, New York World's Fair
Plastics, John Daniels Gallery, New York
Art ’65, American Express Pavillion, New York World’s Fair
1966 Larry Aldrich Museum, Ridgefield, Connecticut
Primary Structures, Jewish Museum, New York
New Dimensions, A.M. Sachs Gallery, New York
Multiplicity, Institute of Contemporary Art, Boston
Art in Process, Finch College Museum, New York
20, Park Place Gallery, New York
3 Man Show, with Sol LeWitt and Leo Valledo, Park Place Gallery,
New York
Eleanor Rigelhaupt Gallery, Boston
Pattern Art, Betty Parsons Gallery, New York
Annual Exhibition of Prints and Sculpture, Whitney Museum, New York
American Abstract Artists, 30th Annual Exhibition,
“Yesterday and Today”
, Riverside Museum, New York
1967 New York Group, Dwan Gallery, Los Angeles
F Color R Image, Detroit Institute of Arts, Detroit, Michigan
Focus on Light, New Jersey State Museum, Trenton, New Jersey
American Sculpture of the Sixties, Los Angeles County Museum of Art,
Los Angeles
10, Dwan Gallery, Los Angeles
Scale Models and Drawings, Dwan Gallery, New York
Art on Paper, Weatherspoon Art Gallery, University of North Carolina,
Greesboro, North Carolina
Language 1, Dwan Gallery, NewYork
Art in Series, Finch College Museum, New York
Cool Art, Larry Aldrich Museum, Ridgefield, Connecticut
Monuments, Tombstones, and Trophies, Museum of Contemporary Crafts, New York
American Sculpture of the Sixties, Los Angeles County Museum of Art,
Los Angeles, Philadelphia Museum of Art, Philadelphia
1968 Plus by Minus: Today's Half Century, Albright Knox Art Gallery,
Buffalo, New York
Minimal Art, Hague Gemeentemuseum, The Hague, the Netherlands
Art of the Real, Museum of Modern Art, New York
Prospect '68, Kunsthalle, Dusseldorf, Germany
Critics Choice, New York State Council for the Arts
Museum of Contemporary Art, Chicago
Options, Milwaukee Art Center, Milwaukee, Wisconsin
Kunstmarkt, Cologne
Language II, Dwan Gallery, NewYork
L’Art du Réel, Centre National d’Art Contemporain, Grand Palais,
Paris
6 Artists 6 Exhibitions, Walker Art Center, Minneapolis, Albright-
Knox Art Gallery, Buffalo
Direction 1: Options, Milwaukee Art Center, Milwaukee, Wisconsin
Kunstmarkt, Köln Kunsthalle, Cologne
International Circulating Exhibition, 1968-1969
1969 Earthworks, Dwan Gallery, New York
The Whitney Annual, Whitney Museum of American Art, New York
Earth Art, White Art Museum, Cornell University, Ithaca, New York
Op Losse Schroeven, Stedelijk Museum, Amsterdam, the Netherlands
When Attitudes Become Form, Institute of Contemporary Arts, London,
England; Kunsthalle, Bern
Einladung, Fernschgalerie, Berlin, Germany
Between Object and Environment, Institute of Contemporary Art,
University of Contemporary Art, University of Pennsylvania,
Philadelphia
The Act of the Real, Arts Council of Great Britain, Tate Gallery, London
The Artist & the Gallery, University Gallery
Highlights of the 1968-69 Art Season, Aldrich Museum, Ridgefield,
Connecticut
Milwaukee Art Center, Milwaukee Wisconsin
Prospect '69, Dusseldorf, Germany
Love Ladies Art Association, New Jersey
Contemporary Drawing Show, Fort Worth Art Center Museum, Fort
Worth, Texas
IX Art Festival of Cali, Columbia
Art by Telephone, Museum of Contemporary Art, Chicago
Long Beach Island, exhibition with Sol LeWitt, Richard Long, Michael
Heizer, New Jersey
Land Art, T.V., Film, Fernsehgalerie Gerry Schwin, Berlin
Series Photographs, The Visual Arts Gallery, New York
555,087, curated by Lucy Lippard, Seattle Art Museum, Washington
Art of the Real, USA, 1948-1968, Kunsthaus, Zurich
Catalogue of the Exhibition, Seth Siegelaub, New York
Konzeption/Conception, Städtische Museum Leverkusen, West
Germany
Minimal Art, Städtische Kunsthalle, Düsseldorf, Akademie der
Künste, Berlin
Vergorgene Strukturen, Museum Folkwang, Essen
One Month, Seth Siegelaub, New York
1970 69th American Exhibition, Art Institute of Chicago
Artists and Photographs, Multiples, New York
Evidence of the Flight of Six Fugitives, Museum of Contemporary
Art Chicago
Information, Museum of Modern Art, New York
3rd Salon International de Galeries-Pilotes, Lausaunne, Switzerland
Moore College of Art, Philadelphia
American Drawings, Galerie Yvon Lambert, Paris
557,087, curated Lucy Lippard, Seattle Art Museum, Washington
955,000, curated Lucy Lippard,Vancouver Art Gallery, British
Columbia, Canada
Against Order, Chance and Art, Institute of Contemporary Art,
Philadelphia
Whitney Museum Sculpture Annual, Whitney Museum of American Art,
New York
955,000, curated by Lucy Lippard,Vancouver Art Gallery, British
Columbia, Canada
Against Order: Chance and Art, Institute of Contemporary Art,
University of Pennsylvania, Philadelphia
Artists and Photograpbs, Multiples Gallery, New York
Conceptual Art—Arte Povera—Land Art, Galleria Cevica d’Arte
Moderna, Turin, Italy
Evidence on the Flight of Six Fugitives, Museum of Contemporary
Art, Chicago
Group Show, Dwan Gallery, New York
Information, Museum of Modern Art, New York
Recorded Activities, Moore College of Art Gallery, Philadelphia
3d Salon International de Galeries-Pilotes, Lausanne, Musée Cantonal
des Beauxarts, Musée d’art moderne de la ville de Paris
1971 Elements of Art, Museum of Fine Arts, Boston
Elements of Art: Earth, Air, Fire, Water, Museum of Fine Arts,
Boston
Nürenberg Biennale, Nurenberg Kunsthalle
Sonsbeek ’71, curated by Wim Beerem, Park Sonsbeek, Arnheim,
The Netherlands
Art and Technology, Los Angeles County Museum of Art
USSF, United States Servicemen’s Fund Collection
1972 John Weber Gallery, New York
Seventieth American Exhibition, Art Institute of Chicago
Documenta 5, Kassel, Germany
Sculpture Collection, Whitney Museum of American Art, New York
Kolner Kunstmarkt, Germany
Kunst um 1970, Neve Galerie Stadt Aachen, Germany
Diagram and Drawings, Rijksmuseum Kröller-Müller, Otterlo,
Holland
Documenta 5, Kassel, West Germany
Group Show, John Weber Gallery, New York
70th American Exhibition, Chicago Art Institute
1972-73 Drawings & Diagrams, Rijksmuseum Kroller-Mueller, Otterlo,
The Netherlands; Kunstmuseum, Basel, Switzerland
1973 Young American Artists, Oslo, Norway
Contemporary Drawings, Whitney Museum of American Art,
New York
3D into 2D: Drawing for Sculpture, New York Cultural Center, New
York
American Drawings 1963-1973, Whitney Museum of American Art,
New York
Biennial Exhibition, Whitney Museum of American Art, New York
Group Show, John Weber Gallery, New York
Young American Artists: Drawings and Graphics, Gentofte Radhus,
Charlottenlund, Denmark; Aarhus Kunst Museum; Henie-
Onstad Kunstsenter, Oslo; Hamburger Kunsthalle, Hamburg; Moderna Museet, Stockholm
1974 Choice Dealers/Dealers Choice, New York Cultural Center, New York
Interventions in Landscape, Massachusetts Institute of Technology,
Cambridge, Mass.
Work on Paper, curated Diane Stimpson, Diane Stimpson Gallery,
Vancouver
Multiples. Neuen Berliner Kunstereins, Berlin, Germany
Earth, Air, Fire, Water, University of Wisconsin, Milwaukee
Record as Artwork, Galerie Riche, Cologne
1975 A Response to the Environment, Rutgers University, New Brunswick,
Spiralen und Progressionen, Kunstmuseum, Lucern, Switzerland
Menace, Museum of Contemporary, Chicago
Drawings 3, Stadtisches Museum, Leverkusen, Germany
Language & Structure in North America, Five Six Seven Gallery, Toronto
Canada
Locate/Order/Measure, University of Colorado, Boulder, Co.
Paintings, Drawings, Sculpture of the '60's and the 70's from the Dorothy
And Herbert Vogel Collection, Institute of Contemporary Art,
University of Pennsylvania, Philadelphia; Contemporary Arts
Council, Cincinnati, Ohio
Sculpture: American Directions, 1945-1975, National Collection of Fine
Art, Smithsonian Institution, Washington, D.C.
Labyrinth, Philadelphia College of Art, Philadelphia
1975 Not Photography, (Photography), Fine Arts Building, New York
Art in Landscape, organized by the ICI, Washington, D.C, traveled New
Gallery of Contemporary Art, Cleveland, Ohio
The New Image, High Museum of Art, Atlanta, Georgia
1976 Two Hundred Years of American Sculpture, Whitney Museum of
American Art, New York
Photonotations, Rosa Esman Gallery, New York
Private Notations, Artist's Sketch Books II, Philadelphia College of
Art, Philadelphia, Pennsylvania
1976 Bienale of Sydney, Australia
1976-77 Drawing Now, Museum of Modern Art, New York, organized by Bernice
Rose, traveled to Kunsthaus, Zurich, Kunsthalle, Baden-Baden;
Albertina Museum, Vienna; Niels Onstad Foundation
1977 Artists Maps, Philadelphia College of Art, Philadelphia
Photonotations II, Rosa Esman Gallery, New York
American Drawings: 1927-77, Minnesota Museum of Art, Minnesota
A View of a Decade, Museum of Contemporary Art, Chicago
1977-79 Drawings for Outdoor Sculpture: 1946-1977, curated John Weber, John
Weber Gallery New York; Mead Art Museum, Amherst College,
Amherst, Massachusetts; University of California, Santa Barbara,
California; Massachusetts Institute of Technology, Cambridge,
Massachusetts; Laguna Gloria Arts Museum, Austin, Texas;
Muhlenberg College, Allentown, Pennsylvania; Aspen Center
For the Visual Arts, Aspen, Colorado
1978 Drawings for Partially Buried Woodshed, Ohio State University,
Columbus, Ohio
Architectural Analogues, Downtown Branch of the Whitney Museum
Of American Art, New York
Probing the Earth: Contemporary Land Projects, Hirshhorn Museum,
Washington D.C.; La Jolla Museum of Contemporary Art, La
Jolla, California; Seattle Art Museum, Seattle, Washington
A-Typical Works, curated Julian Pretto, Julian Pretto Gallery, New York
Film: Masters of Modern Sculpture, directed by Michael Blackwood,
Blackwood Productions, New York
1978-79 Imaginary Worlds, Rosa Esman Gallery, New York
1978-79 Numerals, Leo Castelli Gallery, New York; Yale University, New Haven,
Connecticut; Dartmouth College, New Hampshire, University of
North Dakota, Grand Forks; University of California Irvine,
California; Art Museum of South Texas, Corpus Christi; Illinois
State University, Normal, Illinois; Muhlenberg College,
Allentown, Pennsylvania; New Gallery, Cleveland, Ohio;
Minneapolis College of Art & Design, Minnesota
1979 Sculptors' Drawings, Touchstone Gallery, New York
Drawings About Drawings: New Directions 1968-1978, Ackland
Art Center, University of North Carolina, Chapel Hill
The Reductive Object-Survey of the Minimal Aesthetic in the 1960's
Institute of Contemporary Art, Boston
Drawing, Hal Bromm Gallery, Toronto, Canada
Five Sculptors, Yarlow/Salzman Gallery, Toronto, Canada
Process and Sequence, a photographic exhibition in Roosevelt Public
Library, July 15-August 15, 1979
1980 Center for Creative Photography, University of Arizona, Tucson
Drawings/Structures, Harold Reed Gallery, New York
Pier & Ocean: Concepts of Space, organized by the Arts Council of
Great Britain, Hayward Gallery & Kroller-Muller Museum
Gallery Artists/Recent Work, John Weber Gallery, New York
Drawing: The Pluralist Decade, Venice Biennale, Italy
Watermarks, Scottish Arts Council Touring Exhibition by Robert
Callendar & Elizabeth Olgilvie
Myth & Ritual, Kunsthalle, Zurich
American Drawing in Black and White, Brooklyn Museum, Brooklyn,
New York
1981 Inaugural Group Show, David Bellman Gallery, Toronto, Canada
John Weber Gallery, New York
Mapped Art: Charts, Roots, Regions, Independent Curators Inc.,
University of Colorado, Boulder, Colorado, (travelling)
Working Drawings, Hunter Gallery, New York
Schemes: A Decade of Installation Drawings, Elise Meyer, Inc. New York
Travelling: Emily Lowe Gallery, Hofstra University, New York;
Anderson Gallery, Virginia Commonwealth University, Virginia;
St. Lawrence University, Canton, New York; Herbert F. Johnson
Museum, Cornell University, Ithaca, New York; Rhode Island
School of Design, Providence, Rhode Island
1981 Myth & Ritual, Kunstverein Hamburg, Hamburg, West Germany
Nature-Sculpture, Wurttembergischer Kunstverein, Stuttgart, West
Germany
1981-82 Variants: Drawings by Sculptors, Sewall Art Gallery, Rice University,
Houston, Texas and Tulane University, Louisiana
POSTMINIMALISM, Aldrich Museum of Contemporary Art, Ridgefield,
Conneticut
The Regrounding Surface, curated by Linda Weintraub, Edith C. Blum Art
Institute, Bard College, Annandale-On-Hudson, New York
1983 Connections: Bridges, Ladders, Staircases, Tunnels, Institute of
Art, Philadelphia, (catalogue)
1984 The Sculptor as Draftsman, The Visual Arts Gallery, Florida International
University, Miami, Florida
The Vanishing Point, Moderna Museet, Stockholm
Primitivism in 20th Century Art, Museum of Modern Art, New York;
Detroit, Michigan, Dallas Museum of Art, Dallas, Texas
1985 1985 Land/Space/Sculpture, Addison Gallery, Phillips Academy, Andover,
Massachusetts
Maximal Implications of the Minimal Line, Bard College, Annandale
The Box Transformed, Whitney Museum of American Art, Philip Morris,
New York
American Eccentric Abrstraction 1965-72, curated Irving Blum,
Blum HelmanWarehouse, New York
1986 1986 Qu'est-ce que c'est sculpture moderne?, Centre Pompidou, Paris
Group Exhibition, Luhring, Augustine, Hodes, New York
Gallery Group Exhibition, John Weber Gallery, New York
Labyrinth, Philadelphia College of Art, Philadelphia
The New Sculpture: Between Geometry and Gesture: 1965-1975, Centr
de Arte Reina Sofia, Madrid, Spain
1987 Group Exhibition, curated John Gibson, John Gibson Gallery, New York
Early Concepts of the Last Decade, Holly Solomon Gallery, New York
Sculpture, Lelong Gallery, New York
Rhona Hoffman Gallery, Chicago
1988 Conspicuous Display, curated by Sid Sachs, Stedman Art Gallery, Rutgers
New Jersey
Sculpture Since the Sixties: from the Permanent Collection of the Whitney
Museum of American Art
at Equitable Center, New York
WORDS, Tony Shafrazi Gallery, New York
1989 The Innovators/Entering into Sculpture, ACE Contemporary Exhibition,
Los Angeles, California
1989 The Innovators/Entering into Sculpture, ACE Contemporary Exhibition,
Los Angeles, California
1989-90 Aus meiner Sicht, Kolnischer Kunstverein, curated Rolfe Ricke, Cologne
The Play of the Unsayable, Vienna Secession Building, curated by Joseph
Kosuth
1990 The Experience of Landscape: Three Decades of Sculpture, Whitney
American Art (Federal Reserve Place), curated by Emil Willes
The Humanist Icon, The Bayly Art Museum at the University of Virginia;
The New York Academy of Art, New York; Edwin A. Furish
Museum of Art, Wichita Kansas
Signs of Life: Process and Materials 1960-1990, Institute of
Contemporary Art, University of Pennsylvania, Philadelphia
Entre La Geometrie et Le Gest: Oeuvres Sur Papier: 1965-1975, Galerie
Georges Philippe Vallois, Paris
Group Show, Galerie Saint-Germain des Beaux-Arts, Paris
Form: Being: Absence, Griffin McGear Gallery, New York
The New Sculpture 1965-75: Between Geometry and Gesture, Whitney
Museum of American Art, New York
Before the Field-Paintings from the Sixties, Daniel Newberg Gallery, New
York
Minimalism and Post-Minimalism, Hood Museum, Dartmouth College,
Hanover, New Hampshire
Broken Landscape, Discarded Object, curated by Christopher Sweet,
PPOW, New York
Art in Europe and America: The 1960's and 1970's, Wexner Center for
Visual Arts, Ohio State University, Columbus, Ohio
American Masters of the Sixties, Early and Late Works, Tony Shafrazi
Gallery, New York
1991 Virginia Dwan, Art Minimal, Art Conceptuel, earthworks, New York, les
années 60-70
, Galerie Montaigne, Paris, France
About Collecting, Ronny Van de Velde, Antwerpen
Robert Smithson's Partially Buried Woodshed, Kent State University
School of Art, Kent, Ohio
Large Scale Sculpture, John Weber Gallery, New York
Sculptors's Drawings, Paula Cooper Gallery, New York
La Sculpture et son Dessin, JGM Galerie, New York
Devices, curated by Bruce Ferguson, Josh Baer Gallery, New York
The New Sculpture 1965-1975: Between Geometry and Gesture, The
Museum of Contemporary Art, Los Angeles, California
1992 Breakdown!, Rose Art Museum, Brandeis University, Waltham,
Massachusetts
Word-Image, Kean College of New Jersey, Union, New Jersey
Show of the Year, curated by group consensus at John Weber Gallery,
New York
Collections-Traces-Connections: Selections from the Robert Smithson
Papers, Archives of American Art, New York
Chamberlain, Harris, Matta-Clark, Oppenheim, Serra, Smithson, Weiner,
Holly Solomon Gallery, New York
1993 Grace & Gravity: The Changing Condition of Sculpture 1965-1975,
Hayward Gallery, London
1994 Drawing the Line: Reappraising Drawings Past and Present, curated by
Michael Craig-Martin, Southbank Center, London, travelled
Greenpiece: Contemporary Art dealing with Environmental Issues Facing
Modern Society, Castle Gallery, College of New Rochelle, NY
American Sculptors in the 1960's: Selected Drawings from the Collection,
Museum of Modern Art, New York
Group Show, John Weber Gallery, New York
Images of an Era: Selections from the Permanent Collection: MOCA at
The Temporary Contemporary, Los Angeles, CA.
The Edge of Town, Hartford Art School, Joseloff Gallery, University of
Hartford, West Hartford, CT.
Projected Images, Tatro Fondamenta Nuove, Con il Patrosinio della
Biennale di Venezia 1995, curated by Klaus Biesenbach as part
Of a project of "Art & Technology", in conjunction with Kunst-
Werke, Berlin
1995 Revolution: Art of the Sixties, Museum of Contemporary Art, Tokyo
1995-96 Beat Culture and the New America:1950 - 1965, Whitney Museum of
American Art, New York, travelled to: Walker Art Center,
Minneapolis, MN, through 1996
1996 Abstraction in the 20th Century: Total Risk, Freedom, Discipline,
Guggenheim Museum, New York
Everything that's interesting is New, The Dakis Joannou Collection,
Deste Foundation, Athens, Greece
L'informe: mode d'emploi, Centre Georges Pompidou, curated by
Rosalind Krauss and Yves-Alain Bois
Beat Culture: America Revisioned 1950-1965, curated Lisa Philips,
Whitney Museum of American Art, New York, (catalogue)
1997 Gravity: Axis of Contemporary Art, National Museum of Art, Osaka,
Japan
Citta/Natura, Palazzo delle Esposizioni, Rome, Italy
Margins: Acconci, LeWitt, Matta-Clark, Smithson, Barbara Gladstone
Gallery, New York
Nature, Meyerson-Nowinksi Gallery, Seattle, WA
Group Sho, Patrick Painter Gallery, Los Angeles, CA
The Duel Muse: The Writer as Artist, The Artist as Writer, Washington
University Gallery of Art, St. Louis, MO
Art About the Environment IV, Center for Earth Art, New York, NY
Laying Low, Kunstnernes Hus, Oslo, Norway
1998 Pop Abstraction, curated by Sid Sachs, Museum of American Art,
Philadelphia, PA
Fundacao Biennel de Sao Paulo, Brazil
1999 Circa 68', MuseuSerralves, Museu De Arte Contemporanea, Fundacao
De Serralves, Portugal
Posters, Lawrence Markey, Gallery, New York
Art of the Century: 1950-1999, curated Lisa Phillips, Whitney Museum of
American Art, New York
1999-2000 Museum As Muse: Artists Reflect, curated by Kynaston McShine,
Museum of Modern Art, NY; travelled to Museum of Contemporary
Art San Diego, La Jolla, CA.
AfterImage: Drawing through Process, curated Connie Butler, at the
Museum of Contemporary Art/Temporary Contemporary, LA;
Travelling: Parrish Art Museum, Long Island, NY. June 11, 2000;
Henry Art Gallery, Seattle, Washington, August 1 - October 2000
2000 Land Artists, curated by Heinz Kaizer, Kunstraum Innsbruck, Innsbruck,
Germany
2000-01 Infinite Loop: Selected Light Works from the Museum of Contemporary
Art, curated by Alison Pearlman, Museum of Contemporary Art,
Chicago
2001 Century City, Tate Modern, Bankside, London
Between Language and Image, Mel Bochner, Joseph Kosuth, Robert
Morris, Bruce Nauman, Robert Smithson, curated by Robert Morris,
Leo Castelli Gallery, New York
2001-2002 The Waste Land, curated by Thomas Trummer, Zentrum fur zeitgenossiche
Kunst der Osterreichischen Galerie Belvedere, Wein, Scherzergasse,
October 24, 2001-February 24, 2002
  Robert Smithson/Bernd & Hilla Becher, curated by James Lingwood, Museu
Serralves, Museu De Art Contemporanea, Porto, Portugal, November
30 - March 3, 2002
2002 Upon Reflection... January 10 - February 15, 2002, Sean Kelly New York,
New York
2003 Concepts on Nature Hausler Kulturmanagement GmbH, Munich, Germany
The Great Drawing Show Michael Kohn Gallery, Los Angeles, CA
Drawings and Collages: Works by Merce Cunningham, Robert Smityhson, and
Hannah Wilke
curated by Michael Solway, SolwayJones, Los
Angeles, California.
Warum! curated by Friedrich Meschede, Eine Ausstellung zeitgenossischer
Kunst, Berlin, Germany
Projection: Video, Film, Dia, Skulptur, Malerei, Zeichnung und Dokumente von
1967 - 1974
curated by Dorthee Fischer Konrad Fischer Gallerie,
Dusseldorf Germany
DIA BEACON
premier exhibition highlighting new work in the permanent
collection. Beacon, New York, catalogue
2004 Behind the Facts, Interfunktionen 1968-75, curated by Gloria Moure,
Fundacio Joan Miro, Barcelona, Spain. Travels to: Serralves
Museum, Porto; Kunsthalle Fridericianum, Kassel
A Minimal Future? Art as Object 1958-1968, curated Anne Goldstein,
MOCA, Los Angeles, CA, March
John Coplans, Andrea Rosen Gallery, New York
Reflecting the Mirror, Marian Goodman Gallery, New York
Paisaje & Memoria (Landscape & Memory), La Casa Encendida, Madrid
Contre-Images, curated by Françoise Cohen, Carré d’Art-Musée d’Art
contemporain de Nîmes
Beyond Geometry: Experiments in Form, 1940’s-70’s, curated by Lynn
Zelevansky, Los Angeles County Museum of Art, Los Angeles,CA
Artists’ Favorites: Act I, Institute of Contemporary Arts, London
Los usos de la imagen: Fotografía, film y video en La
Collección Jumex, curated by Carlos Basualdo and Patricia
Martín, Museo de ArteLatinoamericano de Buenos Aires,
2004.Outside, Jim Kempner Fine Art, New York, NY .
Organized Delirium: New York 1970-1978, Galerie Lelong, New
York NY
2005 The Last Picture Show: Artists Using Photography, 1960-1982, Miami Art Central, Miami, FL
OpenSystems: Rethinking Art c.1970, Tate Modern,
London (catalogue)
U_MOVE: Utopia and Images on the Move, Galleria
Comunale d'Arte Contemporanea in Monfalcone (Go), Italy
Bridge Freezes Before the Road, curated by Neville
Wakefield, Barbara Gladstone Gallery, New York (catalogue)
Slide Show, organized by The Baltimore Museum of Art, Baltimore, MD;
traveling to the Contemporary Arts Center, Cincinnati, OH (July 2 September 11, 2005
Down the Garden Path: The Artist’s Garden After Modernism, Queens
Museum of Art, Queens, New York (catalogue)
The Plain of Heaven, organized by Creative Time curator Peter Eleey,
Meatpacking District, New York, NY (catalogue)
Universal Experience: Art, Life and the Tourist's Eye, Hayward Gallery,
London, UK
2005-06 Big Bang: Creation and Destruction in 20th Century Art, Centre
Pompidou, Musée national d’art moderne-Centre de creation
Industrielle, Paris (catalogue)
2006

Out of the Blue, The Abington Art Center, Jenkintown, Pennsylvania
Drawn Into the World: Drawings from the MCA Collection, Museum of
Contemporary Art, Chicago, IL
Time Frame: A Group Exhibition, PS1 Contemporary Art Center, Long
Island City, New York
Inventory:Works from the Herbert, Kunsthaus Graz, Austria
The Expanded Eye, Kunsthaus Zurich, Switzerland
Nineteen Sixty-Eight, Solo Projects, Studio B, Los Angeles, CA
Out of the Blue, The Abington Art Center, Jenkintown, Pennsylvania
Lewitt x 2, Sol Lewitt: Selections from the Lewitt Collection, curated by
Dean Swanson, Madison Museum of Contemporary Art, Madison, WI;
traveling to the Miami Art Museum, Miami, FL (catalogue)
Transforming Chronologies: An Atlas of Drawings, Part Two, curated by
Luis Pérez-Oramas, The Museum of Modern Art, New York, NY
(May 10-October 2, 2006) (catalogue)
The Big Art Project, Channel 4, United Kingdom
In the Poem About Love You Don’t Write the Word Love, curated
by Tanya Leighton, Artist’s Space, New York, NY
Radical Software: Art, Technology and the Bay Area
Underground, curated by Will Bradley, CCA Wattis Institute forContemporary Arts, San Francisco, CA
Data Mining, Wallspace, New York, NY

2007

Art is an Idea: The Moquay Collection, curated by Cassandra
Coblentz and Marilu Knode, Scottsdale Museum of
Contemporary Art, Scottsdale, AZ
The Shapes of Space, Guggenheim Museum, New York, NY (April
14 to September 5, 2007)
Organizing Chaos, curated by Neville Wakefield, PS1 Contemporary,
New York, NY
Out of the City, curated by Daniela Carna, Bratislava City Gallery,
Bratislava, Slovakia (catalogue)
What Does the Jellyfish Want?, Museum Ludwig, Köln, Denmark
(catalogue)
Cosmologies, James Cohan Gallery, New York, NY
Elsewhere, Contemporary Art Museum, University of South Florida,
Tampa
Works to Inaugurate a Space, Art Cave, Napa Valley, CA

2008

Jedermann Collection, Fotomuseum Winterthur, Switzerland
Learning Display: Robert Smithson’s Spiral Jetty, Las Vegas Art
Museum, Las Vegas, NV
Recasting Site, curated by Terri C. Smith, Center for Curatorial
Studies and Art in Contemporary Culture, Bard College,
Annandale-on-Hudson
Under the Influence, curated by Anat Egbi, Center for Curatorial
Studies and Art in Contemporary Culture, Bard College,
Annandale-on-Hudson
In Collaboration: Early Works from the Media Arts Collection,
San Francisco Museum of Modern Art, San Francisco, CA
Geometry of Motion 1920s/1970s, curated by Klaus Biesenbach and
Roxana Marcoci, Museum of Modern Art, New York, NY
Collection Highlights, curated by Elizabeth Smith, Museum of
Contemporary Art, Chicago, IL
Peripheral Look and Collective Body, MUSEION, Bolzano, Italy
The Construction of the Contemporary Landscape, Centro De Arte
Y Naturaleza Fundaciòn Beulas Huesca, May 2008 (film, Spiral Jetty Visions of America Part 3/ AMERICAN MEGAMIX: 1957-1987, Tokyo
Metropolitan Museum of Photography,Tokyo, Japan
Revolutions 1968,Zacheta National Gallery of Art, Warsaw Poland (film,
Floating Island to Travel Around Manhattan Island)
A Stake in the Mud, A Hole in the Reel. Land Art's Expanded Field 1968–2008,
Museo Tamayo Arte Contemporaneo, Mexico City, Mexico (film,
Floating Island to Travel Around Manhattan Island)
The Sublime is Now, La Galleria Civica di Modena, Modena, Italy (film, Spiral
Jetty)
Land Art, Consorcio Museo Vostell Malpartida, Spain (film, Spiral Jetty and
Floating Island to Travel Around Manhattan Island)
On Location: Art, Space and Place in the 1960s, Sainsbury Centre for Visual
Arts, Norwich, United Kinggdom
Passageworks, San Francisco Museum of Modern Art, San Francisco, CA
Blickmaschinen.Contemporary Art looks at the Collection Nekes, Museum für
Gegenwartskunst Siegen, Siegen, Germany

2009

Nature, space and time – recent acquisitions, Kröller-Müller Museum,
Otterlo, The Netherlands
“iloveyouihateyou” Leah Singer & Lee Ranaldo, Gorden Matta Clark, Terry Fox,
Nancy Holt & Robert Smithson
, Magasin 3 Stockholm Konsthall,
Stockholm, Sweden (film, Swamp)
Face Off: A Selection of Old Masters and Others from The Menil
Collection, The Menil Collection, Houston, TX
Beyond the Picturesque, Stedelijk Museum voor Actuele Kunst, Ghent, Belgium


SOLO EXHIBITIONS
GROUP EXHIBITIONS

Writings by the Artist
Interviews, Articles and Reviews
Catalogues and Books
Films and Public Collections