Writings by the Artist
Interviews, Articles and Reviews
Catalogues and Books
Films and Public Collections
Social Media


Contemporary Sculpture and Prints: Annual Exhibition 1966, Whitney Museum of American Art, December 16, 1966 – February 5, 1967

Alloway, Lawrence, “Serial Forms” in American Sculpture of the Sixties, ed. Maurice Tuchman, Los Angeles Museum of Contemporary Art, April 28 – June 25, 1967; Philadelphia Museum of Art, September 15 - October 29, 1967

Live in your head: When attitudes become form: Works, concepts, processes, situations, information, ed. Harald Szeemann, Kunsthalle Berne, March 3 – April 27, 1969; Museum Haus Lange, Krefeld, May 10 – June 15, 1969; Institute of Contemporary Art, London, August 28 – September 27, 1969

Against Order: Poetical Sources of Chance and Art, ed. Institute of Contemporary Art, University of Pennsylvania, Philadelphia, November 14 – December 22, 1970

Situation Concepts, contributions by Shusaku Arakawa, Ricky Comi and Peter Weiermair, Galerie Naechst St. Stephan, Vienna, Austria, March 15 – April 10, 1971

Yngre amerikansk kunst : tegninger og grafik / Young American Artists: Drawings and Graphics, ed. Gentofte Radhus, Steingrim Laursen, Det Tyske Kulturinstitut, Copenhagen, Denmark, January 24 – February 11, 1973

Multiples, Neuen Berliner Kunstvereins, Berlin, Germany, 1974

Art in Our Times: A Pictorial History 1890 - 1980, ed. Peter Selz, New York, NY: Abrams, 1981

200 Years of American Sculpture, ed. Tom Armstrong, contributions by Norman Feder, Wayne Craven, Tom Armstrong, Daniel Robbins, Rosalind Krauss, Barbara Haskell, Marcia Tucker, Libby Seaberg, Whitney Museum of American Art, NY, March 16 – September 26, 1976

Robert Smithson: Sculpture, ed. Robert Hobbs, contributions by Lawrence Alloway, John Coplans, Lucy R. Lippard, Herbert F. Johnson Museum of Art, Ithaca, NY, November 14 – December 21, 1980

Conspicuous Display, text by Sid Sachs, Stedman Art Gallery, Rutgers, New Jersey, January 23 – February 25, 1989

Robert Smithson Sculpture 1968-69, essay by Jeffrey Rian, John Weber Gallery, New York 1987

Art in Place: 15 Years of Acquisitions, ed. Tom Armstrong and Susan C. Larson, The Whitney Museum of American Art, July 7 – October 29, 1989

The New Sculpture 1965-75: Between Geometry and Gesture, ed. Richard Armstrong and Richard Marshall, essay on Robert Smithson by Lawrench Alloway, Whitney Museum of American Art, February 20 – June 3, 1990

The Play of the Unsayable, Vienna Secession Building, Vienna, Austria, 1989

Sculpture Since the Sixties: From the Permanent Collection of the Whitney Museum of American Art, ed. Patterson Sims, Susan T. Lubowsky, Whitney Museum of American Art, August 18, 1988 – August 9, 1989

The Experience of Landscape: Three Decades of Sculpture, essay by Karl Emil Willars, Whitney Museum of American Art, December 13, 1989 – March 2, 1990

Robert Smithson’s Partially Buried Woodshed, ed. Dorothy Shinn, Kent State University School of Art, Kent, Ohio, 1990

El Jardín Salvaje, essay by Dan Cameron, Fundacíon Caja de Pensiones, Madrid, January 22 – March 10, 1990

Robert Smithson, ed. Aurora García, Galeria La Maquina Espanola, Madrid, Spain, March 29 – May 12, 1990

Virginia Dwan: Art Minimal, Art Conceptuel, earthworks, New York, les anneés 60-70, contributions by Loic Malle and Jan van der Marck, Galerie Montaigne, Paris, 1991, October 1 – December 14, 1991

Robert Smithson Unearthed: Drawings, Collages, Writings, ed. Eugenie Tsai , Wallach Art Gallery , 1991

Word-Image in Contemporary Art, ed. Lewis Kachur, The James Howe Gallery, Kean College of New Jersey, February20 – March 19, 1992

La Measure de L’Eau, Revelateru: un premier regard sur la photographie, Centre Georges Pompidou, Paris, 1993

Robert Smithson: Photo Works, ed. Robert Sobieszek, Los Angeles County Museum of Art, September 9 – November 28, 1993

Robert Smithson El Paisaje Entropico, Una Retrospectiva 1960-1973, contributions by James Lingwood and Maggie Gilchrist, IVAM Centre Julio Gonzalez, April 22 – June 13, 1993;

Robert Smithson: Operations on Nature, contributions by Matthew Teitelbaum, Ian Baxter, Robert Fones, Rodney Graham, Art Gallery of Ontario, Toronto, 1994

Drawing the Line – Reappraising Drawing Past and Present, ed. Michael Craig-Martin, South Bank Centre, London, January 13 – March 5, 1995

L’informe: mode d’emploi, contributions by Yve-Alain Bois, Rosalind E. Krauss, Centre Georges Pompidou, May 22 – August 26, 1996

Ladders, ed. Albert Pope, Rice School of Architecture, Houston, 1996

Robert Smithson-A Collection of Writings on Robert Smithson on the Occasion of the

Installation Dead Tree at Pierogi 2000, Edited by Joe Amrhein and Brian Conley,

texts by Brian Conley, John Weber, Sabine Russ, Lawrence Weiner, Joseph Masheck, Richard Kavesh, Kim Levin, J.G. Ballard, Sol LeWitt, Mel Bochner, Joan Jonas, Gregory Volk, Allen S. Weiss,Brooklyn, New York, 1997

Robert Smithson Retrospective Works 1955-1973, contributions by Per Boym, Anette Osterby, Tim Martin, Vibeke Peterson, Stian Grogaard, Maria Lind, National Museum of Contemporary Art, Oslo, February 27 – May 2, 1999; Modern Art Museum of Stockholm, June 19, 1999 – September 12, 1999; Arken Museum of Modern Art, Ishoj, Oct. 2, 1999 - Jan. 16, 2000

The Museum as Muse: Artists Reflect, essay by Kynaston McShine, Museum of Modern Art, NY, March 14 – June 1, 1999

After Image: Drawing Through Process, essay by Cornelia Butler, Museum of Contemporary Art, Los Angeles, 1999

Tacita Dean, ed. Kathleen MacLean, contribution by Michael Newman, Art Gallery of York University, Toronto, 2001

Elusive Paradise: The Millenium Prize Exhibition, ed. Diana Nemiroff, essay by Johanne Sloane, National Gallery of Canada, February 9 – May 13, 2001

Perceptions and Transformations: The Panza Collection at the Guggenheim Museum, contributions by Daniel Birnbaum, Liz Kotz, Miwon Kwon, Pamela Lee, and James Meyer, Solomon R. Guggenheim Museum, 2001

Revelatory Landscapes, contributions by Leah Levy and Aaron Betsky, San Francisco Museum of Modern Art, May 5 – October 14, 2001

The Search for Spirit: Beth Ames Shwartz, 1960-2000, contributions by Eva S. Jungermann, Arlene Raven, and David Rubin, Pheonix Art Museum, 2002

Nothing, ed. Ally Ireson, Northern Gallery for Contemporary Art, Sunderland, England, 2001

My Head is on Fire but my Heart is Full of Love, contributions by Will Bradley, Henriette Bretton-Meyer, Toby Webster, Charlottenborg Museum, Copenhagen, Denmark, May 8 – June 9, 2002

Atomic Time: Pure Science and Seduction, an exhibition by Jim Sanborn, contributions by Jonathan P. Binstock, Barbara London, Milena Kalinovska, Howard Morland, Corcoran Gallery of Art, Washington D.C., November 1, 2003 – January 26, 2004

Dallas Museum of Art, 100 Years, ed. Dorothy M. Kosinski, contributinos by Lauren Schell, John R. Lane, Natalie Henderson Lee, Queta Moore Watson, Dallas Museum of Art, 2003

The Straight or Crooked Way, Curatorial Program at the Royal College of Art, London, 2003

GNS, Palais de Tokyo and Editions Cercle d’Art, Paris, 2003

Influence, Anxiety and Gratitude, MIT List Visual Arts Center, Cambridge, MA, 2003

Industry and Entropy: Edward Burtynsky, Mark Ruwedel, Robert Smithson, text by Christopher Youngs, Freedman Gallery, Alrbight College Center for the Arts, Reading, PA, 2003

Dia: Beacon, ed. Lynne Cooke, contribution by Michael Govan, 2003

Lee Bontecou: A Retrospective, contributions by Elizabeth A. T. Smith, Robert Storr, Donald Judd, Mona Hadler, Donna De Salvo, UCLA Hammer Museum, Los Angeles, October 5, 2003 - January 11, 2004; Museum of Contemporary Art, Chicago, February 14 - May 30, 2004; Museum of Modern Art, New York, July 28 - September 27, 2004

Robert Smithson in Vancouver: A Fragment of a Greater Fragmentation, ed. Grant Arnold, Vancouver Art Gallery, 2004

Earth/Body: Ana Mendieta, Sculpture and Performance, 1972-85, ed. Olga M. Viso, contributions by Julia Herzberg, Guy Brett, Chrissie Isles, Laura Roulet, Whitney Museum of American Art, New York, July 1 – September 19, 2004; Hirshhorn Museum and Sculpture Garden, Washington, D.C., October 14, 2004 - January 2, 2005; Des Moines Art Center, February 25 - May 22, 2005; Miami Art Museum, October 7, 2005 –January 15, 2006

A Minimal Future? Art as Object 1958-1968, ed. Anne Goldstein, contributions by Lucy R. Lippard, James Meyer, Jonathan Flatley, Anne Romier, Carrie Lambert, Diedrich Diederichsen, Museum of Contemporary Art, Los Angeles, March 28 – July 6, 2004

Whitney Biennial 2004, Chrissie Iles, Shamim M. Momin, Debra Singer, et al, Whitney Museum of American Art, 2004

Paisaje & Memoria, ed. Alicia Chillida, La Casa Encendida, Madrid, June 30 – August 22, 2004

Contre-Images, ed. Françoise Cohen, Carré d’Art-Musée d’Art contemporain de Nîmes, 2004

Beyond Geometry: Experiments in Form 1940s-70s, ed. Lynne Zelevansky, contributions by Valerie L. Hillings, Miklos Peternak, Brandon LaBelle, Peter Frank, Ines Katzenstein, Aleca Le Blanc, Los Angeles Museum of Contemporary Art, 2004

Dream Games: The Art of Robert Schwartz, ed. Susan Landauer, San Jose Museum of Art, September 2004

Isamu Noguchi: Master Sculptor, ed. Valerie Fletcher, contribution by Dana A. Miller, Whitney Museum of American Art, October 28, 2004 – January 16, 2005; Hirschhorn Museum and Sculpture Garden, February 10 – May 8, 2005

The Big Nothing, Ingrid Schaffner, Bennett Simpson, Tanya Leighton, Institute of Contemporary Art, University of Pennsylvania, May 1 – August 1, 2004

Robert Smithson, ed. Eugenie Tsai and Cornelia Butler, contributions by Thomas Crow, Alexander Alberro, Suzaan Boettger, Mark Linder, Ann Reynolds, Jennifer L. Roberts, Richard Sieburth, Robert Sobieszek, Moira Roth, Museum of Contemporary Art, Los Angeles, September 12 – December 13, 2004; Dallas Museum of Art, January 14 – April 3, 2005; Whitney Museum of American Art, June 23 – October 16, 2005

Los usos de la imagen: Fotografia, film y video en La Colleccio´n Jumex, ed. Carlos Basualdo and Patricia Martín, contributions by Eduardo F. Constantini, Eduardo F. Constantini Jr., Mario E. Vasquez, Corinne Sacca Abadi, Museo de Arte Latinoamericano de Buenos Aires, September – November, 2004

Big Bang: Creation and Destruction in 20th Century Art, contributions by Catherine Grenier,

Chantal Béret, Nicole Chapon-Coustere, Marianne Alphant, Érik Bullot, Alain Badiou, Brigitte Leal, Agnes de la Beaumelle, Camille Morineau and Alice Fleury, Centre Pompidou, Musée national d’art moderne-Centre de creation industrielle, Paris, June 15, 2005 – February 22, 2006

Remote Viewing (Invented Worlds in Recent Painting and Drawing), ed. Elisabeth Sussman, contributions by Caroline Jones, Katy Siegel, Ben Marcus, Tina Kukielski, Elizabeth M. Grady, Whitney Museum of American Art, June 2- October 2005

Down the Garden Path: The Artist’s Garden After Modernism, ed. Valerie Smith, Domenick Ammirati and Jennifer Liese, contributions by Julian Agyeman, Jamaica Kincaid, Joachmin Wolschke-Bulmahn, Brigitte Franzen, Queens Museum of Art, 2005

Core 2006 Artists in Residence, Glassell School of Art, The Museum of Fine Arts Houston, 2006

Northern City (Between Light and Dark), The Lighthouse, Scotland’s Centre for Architecture, Design and the City, Glasgow, November 30, 2006 – March 4, 2007

Jeff Wall, Museum of Modern Art, New York, 2006

QUAUHNAHUAC – The Straight Line is a Utopia, ed. Adam Szymczyk, Kunsthalle Basel, September 2006

Humor’s Lines, ed. Doug Dreishpoon, Maier Museum of Art, Spring 2007

Sculpture Projects Muenster, Museum fur Gegenwartskunst Siegen, Denmark, 2007

Philosophy of Time Travel, Christine Y. Kim, Studio Museum, Harlem, April 2007

What Does the Jellyfish Want?, contributions by Bodo von Dewitz, Barbara Engelbach, Herbert Molderings, Herta Wolf, Verlag der Buchhandlung Walther König, Museum Ludwig, Köln, Denmark, March 2007

Cuerpo y Mirada, Huellas del siglo XX, Museo del Prado, Madrid: TF. Editores, May 2007

Richard Serra Sculpture: Forty Years, ed. Kynaston McShine, Museum of Modern Art, New York, June 2007

Katharina Grosse: Picture, ed. Nicholas Chambers, The Queensland Art Gallery, July 2007

Callum Morton: Venice Biennale 2007, ed. Charlotte Day, Australia Council, 2007

Take Your Time: Olafur Eliasson, contributions by Klaus Biesenback, Roxana Marcoci, San Francisco Museum of Modern Art, September 2007

Out of the City, Bratislava City Gallery, Bratislava, Slovakia

Sigalit Landau, ed. Katrin Sauerlander, KW Institute for Contemporary Art, January 2008

Paul Shambroom: Picturing Power, Weisman Art Museum, University of Minnesota, February 2008

Cai Guo-Qiang: I Want to Believe, ed. Thomas Krens and Alexandra Munroe, Solomon R. Guggenheim Museum, February 2008

Wallworks: Contemporary Painting and Place, Art Gallery of Ontario, Spring 2008

4th of July/Christian Marclay, ed. Jean-Pierre Criqui, Yvon Lambert, 2008

Australian Minescapes, Edward Burtynsky and Michael Mitchell, FotoFreo, Fremantle, Western Australia, March 2008

Badlands: New Horizons in Landscape, ed. Denise Markonish, Massachusetts Museum of Contemporary Art, MIT Press, May 2008

The Construction of the Contemporary Landscape, Centro De Arte Y Naturaleza Fundacion Beulas Huesca, May 2008

Psycho Buildings: Architecture by Artists, ed. Ralph Rugoff, The Hayward Gallery, May 2008

Buckminster Fuller: Starting with the Universe, ed. Dana Miller and Michael Hays, Whitney Museum of American Art, June 2008

Projectos con Escolas, ed. Sofia Victorino, Fundaçao de Serralves, October 2008

Simryn Gill: Gathering, contributions by Russell Storer, Jessica Morgan, and Michael Taussig, The Museum of Contemporary Art, Sydney, November 20, 2008 – March 22, 2009

Oranges and Sardines: Conversations on Abstract Painting, ed. Gary Garrels, Hammer Museum, November 9, 2008 – February 8, 2009

Gordon Matta-Clark, contributions by Lorenzo Fusi and Marco Pierini, Silvana Editoriale, 2008

Innovations in the Third Dimension: Sculpture of Our Time, ed. Nancy Hall-Duncan, Bruce Museum, 2008

Into the Sunset: Photography’s Image of the American West, ed. Eva Respini, Museum of Modern Art, New York, March 29 – June 8, 2009; Seattle Art Museum, February 25 – May 3, 2009

Chris Drury: Museums\Clouds, ed. Ann M. Wolfe, Nevada Museum of Art and Center for American Places, 2009

EVERYTHING: Guillermo Kuitca, Paintings and Works on Paper, 1980-2008, Douglas Drieshsppon, Olga M. Viso, and Terence Riley, Scala Publishers, 2009

The Quick and the Dead, contributions by Eleey, Peter, Olaf Blanke, Ina Blom, Peter Osborne, and Magaret and Christine Wertheim, Walker Art Center, April 25 – September 27, 2009

Altermodern – Tate Triennial 2009, ed. Nicholas Bourriaud, Tate Britain, February 3 – April 26, 2009

Arte israeliana contemporanea, Ruth Cats, Complesso del Vittoriano, Rome, 2009

Dan Graham: Beyond, The Museum of Contemporary Art, Bennett Simpson, Chrissie Iles, Museum of Contemporary Art, Los Angeles with MIT Press, 2009

Ann Lislegaard: 2062, ed. Elizabeth A. Brown, Seattle: Henry Art Gallery, 2009

Beyond the Picturesque, ed. Steven Jacobs and Frank Maes, S.M.A.K. Ghent, 2009

Radical Nature – Art and Architecture for a Changing Planet 1969-2009, ed. Francesco Manacorda, Ariella Yedgar, Barbican Centre, London, June 19 – October 28, 2009

Jorge Otero-Pailos: The Ethics of Dust, ed. Eva Ebersberger, 53rd International Art Exhibition, La Biennale di Venezia, June 7 – November 22, 2009

Modernism as a Ruin. An Archaeology of the Present, ed. Sabine Folie, Generali Foundation, Austria, June 19 – September 20, 2009

Earth Works: Land Art Horizon, Galleria Repetto, Italy, 2009

Paul Sietsema: Figure 3, ed. Connie Butler, The Museum of Modern Art, New York, 2009

Alberto Banuelos. The liturgy of stones, ed. Rafael Sierra, Institut Valencia d’Art Modern, 2009

Pierre Coulibeuf: Dédale, EvaDiaz and Andrew Uroskie, The Ibere Camargo Foundation, Porto Alegre, Brazil, June 4 – September 6, 2009

Matter of Faith, Martina Bagnoli, The Walters Art Museum, Maryland, 2010

Toby Paterson: Consensus and Collapse, The Fruitmarket Gallery, Edinburgh, Scotland, 2010

The Original Copy: Photography of Sculpture, 1839 to the Present, ed. Roxana Marcoci, Museum of Modern Art, New York, August 1 – November 1, 2010, Kunsthaus, Zürich, February 25 – May 15, 2011

Type A, ed. Lisa Freiman and Ian Berry, Indianapolis Museum of Art, IN and HatjeCantz, Germany, 2010

Poetique du Chantier, ed. Jean-Denis Frater, Musée-Château d’Annecy, France 2010

Rivane Neuenschwander: A Day Like Any Other, ed. Richard Flood, New Museum for Contemporary Art, NY, June 23-September 23, 2010 ; Mildred Lane Kemper Art Museum at Washington University in St. Louise, Mo., October 8, 2010-January 10, 2011; Scottsdale Museum of Contemporary Art, Scottdale, Ariz., February 12-June 5, 2011; Miami Art Museum, Miami, Fla., July 18- October 16, 2011 ; Irish Museum of Modern Art, November 15, 2011-February 2012.

Presence or Absence: The Photographs of Tokihiro Sato, ed. Mark Seala, First Center for theVisual Arts, 2010

Common Love, Aesthetics of Becoming, ed. Kaira M. Cabanas, Miriam and Ira D. Wallach Art Gallery, Columbia University, April 27 – June 11, 2011

HORIZONTE EXPANDIDO, Andre Severo and Maria Helena Bernardes, Santander

Cultural, Porto Alegre, Brazil, May 25 – August 15, 2010

Mirror Mirror: Then and Now, contributions by Ann Stephen, Keith Broadfoot, and Andrew McNamara,Institute of Modern Art, Brisbane, Australia, October 24 - December 12, 2009 ; University Art Gallery, University of Sydney, January 4 - May 2, 2010 ; Samstag Museum of Art, Adelaide, May 14 – July 16, 2010

Big Sign – Little Building, ed. Marta Kuzma and Steven Izenour, Office for Contemporary Art Norway, September 15 – December 15, 2010 (Monuments of Passaic)

State of Mind: New California Art Circa 1970, Constance Lewallen, Karen Moss, UC Press, October 2011

Statuesque, ed. Nicholas Baum, Public Art Fund, Summer 2011

Catalogue of the Exhibition:1984-2010, ed. Bob Nickas, 2nd Cannons Press, January 2011

The Last Freedom, contributions by Robert C. Morgan, Serge Paul, Beate Reifenscheid, Gilles Tiberghien, Silvana Editoriale, Milan, Italy, October 2010 (Photo-Makers (from Six Stops on a Section))

The re-enchantment of nature and urban space: Michael Singer Projects in Art, Design and Environmental Regeneration, The Danish Royal Academy of Fine Art, Utzon – Center, Denmark, 2011 (9 Mirror Displacements)

Mike Nelson, British Pavilion, British Arts Council, UK, 2011 (Map of Hotel Palenque)

Relationship Building – Art and Institution, ed. Peter Bogner, Martin Fritz, Künstlerhaus,June 2011 (Underground Projection Room)

Alina Szapocznikow, ed. Anke Kempke, Museum of Modern Art Warsaw, July 2011 (Asphalt Rundown).

The Smithson Effect, Utah Museum of Fine Arts, University of Utah, March 2011 (Partially Buried Woodshed)

Alice in Wonderland: Through the Visual Arts, Gavin Delahunty and Christopher Benjamin Schulz et al, Tate Liverpool, November 4, 2011 – January 25, 2012; Museo di Arte Moderna e Contemporanea di Trento e Rovereto, February 25 – June 3, 2012; Hamburger Kunsthalle, June 20 – September 30, 2012

Richard Serra:Drawings in Retrospect, Magdalena Dabrowski, Garry Garrels, Bernice Rose, Michelle White, The Menil Collection, Houston, March 2012

Behold, America! Art of the United States from Three San Diego Museums, Timken Museum of Art and Museum of Contemporary Art San Diego, 2012.

Katharina Grosse: One Floor Up More Highly, ed. Susan Cross, Massachusetts Museum of Contemporary Art, 2012 (Asphalt Rundown)

Ends of the Earth: Land Art to 1974, ed. Philipp Kaiser, Miwon Kwon, October 2012

Ghosts in the Machine, Massimiliano Gioni, New Museum of Contemporary Art, New York, NY, 2012

Swept Away: Dust, Ashes, and Dirt in Contemporary Art and Design, ed. David McFadden. Museum of Arts and Design, 2012

Constellations’ Catalogue for the 30th Bienal de Sao Paulo – The Imminence of Poetics, Fundaçao de Sao Paulo, contributions by Luis Pérez-Oramas, André Severo, Tobi Maier, September 2012 (A Surd View for the Afternoon and Spiral Jetty)

Conceptual Abstraction, text by Pepe Karmel, Hunter College Art Galleries, 2012 (Spiral Jetty)

Capper, James and Helen Pheby, James Capper: Divisions, Yorkshire Sculpture Park: 2012 [exhibition pamphlet]

JG (A film by Tacita Dean), Arcadia University Art Gallery, 2013 (Spiral Jetty film still)

Everything Loose Will Land, ed. Sylvia Lavin, MAK Center for Art and Architecture, L.A., 2013

The Whole Earth: California and the Disappearance of the Outside, Berlin: Haus der Kulturen der Welt, 2013

In the Holocene, MIT List Visual Art Center and Sternberg Press, November 2013

Schmidt, Eva, ed. Robert Smithson: The Invention of Landscape. Texts (German/English) by Roel Arkesteijn, Eva Schmidt, and Theo Tegelaers. Köln, Germany: Snoeck, 2013

Architektonika 2, text by Anthony Vidler, Staatliche Museen - Hamburger Bahnhof, Berlin, 2013

Mel Bochner: Strong Language, Norman Kleeblatt and Mel Bochner, The Jewish Museum, 2014

Beauty Reigns: A Baroque Sensibility in Recent Painting, text by Rene Paul Barilleaux, Lilly Wei, and Stephen Westfall, San Antonio, Texas: McNay Art Museum, 2014

Robert Smithson’s New Jersey, Gail Stavitsky, and Phyllis Tuchman, The Montclair Art Museum, 2014

Anne Veronica Janssens, Nasher Sculpture Center, Dallas, Texas, 2016

Pen to Paper: Artists' Handwritten Letters from the Smithsonian's Archive of American Art, Archives of American Art, Smithsonian Institute, Washington, D.C., 2016

Doug Aitken: Electric Earth, Los Angeles: Museum of Contemporary Art, Los Angeles, 2016

Doris Salcedo: The Materiality of Mourning, Cambridge, Massachusetts: Harvard Art Museums, 2016



Minimal Art: A Critical Anthology, ed. Gregory Battcock, New York, NY: E.P. Dutton, 1968

Merleau-Ponty, Maurice, Visible and Invisible, 1969

Muller, Gregoire and Gianfranco Gorgoni, The New Avant Garde, Prager Publishesr, 1973

Lippard, Lucy, Six Years: The Dematerialization of the Art Object, New York, 1973

Lacan, Jacques, The Four Fundamental Concepts of Psychoanalysis, 1973

Kelly, James J., The Sculptural Idea, Burgess Publishing Company, MN: 1974

The Writings of Robert Smithson, ed. Nancy Holt, New York, NY: New York University Press, 1979

Hobbs, Robert, Robert Smithson: Sculpture, contributions by Lawrence Alloway, John Coplans, Lucy R. Lippard, Ithaca, NY: Cornell University Press, 1981

Krauss, Rosalind, Sculpture in the Expanded Field: The Originality of the Avant Garde and Other Modernist Myths, Cambridge, MA: MIT Press, 1985

Yenawine, Philip, How to Look at Modern Art, New York, NY: Harry N. Abrams, 1991

Sporre, Denis, Reality Through the Arts, Englewood Cliffs, NJ: Prentice Hall, 1991

Art Has No History! The Making and Unmaking of Modern Art, ed. John Roberts, London, UK: Verso Books, 1994

Krauss, Rosald, Theory of Painting, Mel Bochner: Thought Made Visible 1966-1967, New Haven, CT: Yale University Press, 1995

Shapiro, Gary, Earthworks: Robert Smithson and Art After Babel, Berkeley and London: University of California Press, 1995

de Duve, Thierry, Kant After Duchamp, Cambridge, MA: MIT Press, 1996

Robert Smithson: The Collected Writings, ed. Jack Flam, Berkeley and London: University of California Press, 1996

Robert Smithson Slide Works, ed. Guglielmo Bargellesi, text by Vicki Goldberg, Carlo Frua, 1997

Butler, Cornelia H., Afterimage: Drawing Through Process, Cambridge, MA: MIT Press, 1999

After Modern Art, 1945 – 2000, ed. David Hopkins, Oxford History of Art Series, Oxford, UK: Oxford University Press, 2000

Nothing, ed. Ally Ireson, London, UK: August Media, Ltd., 2001

Henderson, Linda Dalrymple, The Fourth Dimension and Non-Euclidean Geometry, Cambridge, MA: MIT Press, 2001 (2nd edition)

Kwon, Miwon, One Place After Another: Site-Specificity and Locational Identity in Contemporary Art, Cambridge, MA: MIT Press, 2001

Meyer, James, Minimalism: Art and Polemics in the Sixties, New Haven, CT: Yale University Press, 2001

Reynolds, Ann, Robert Smithson: Learning from New Jersey and Elsewhere, Cambridge, MA: MIT Press, 2001

Engler, Mira, Designing America’s Waste Landscapes, Baltimore, MD: Johns Hopkins University Press, 2002

Batha, Katy, Focus on Art Practices: Artmaking, Art Criticism and Art History, Strathfield, New South Wales: Open Training and Education Network, 2002

Boettger, Suzaan, Earthworks: Art and the Landscape of the Sixties, Los Angeles, CA: University of California Press, 2002

Havel, Joseph, 2003 Core, The Core Residency Program at the Glassel School of Art, Museum of Fine Arts, Houston, TX: February, 2003

Campany, David, Art and Photography, Themes & Movements, London, UK: Phaidon Press Inc., 2003

Marot, Sébastien, Sub-urbanism & the Art of Memory, London, UK: AA Publications, 2003

Casey, Edward S., Earth-Mapping: Contemporary Artists Who Map, Minneapolis, MN: University of Minnesota Press, 2003

Whitham, Graham, Teach Yourself Art History, Teach Yourself series, London, UK: Hodder Arnold, 2003

Tatehata, Akira, The Concise History of Western Art, Bijyutsu Shuppan Sha, Art Mall, 2003

Stokstad, Marilyn, Art: A Brief History, Prentice Hall, 2003 (2nd Edition)

Linder, Mark, Nothing Less than Literal: Architecture After Minimalism, Cambridge, MA: MIT Press, 2003

Lee, Pamela, Chronophobia: On Time in the Art of the 1960s, Cambridge, MA: MIT Press, 2003

Jim Sanborn: Atomic Time, ed. Jonathan Binstock, contributions by Howard Morland, et al., Washington, DC: Corcoron Gallery of Art, 2004

Roberts, Jennifer L., Mirror Travels: Robert Smithson and History, New Haven, CT: Yale University Press, 2004

Graziani, Ron, Robert Smithson and the American Landscape, Cambridge, UK: Cambridge University Press, 2004

Costa, Xavier, Hans Hofmann: The Chimbote Project, Barcelona, Spain: Museo d’art Contemporani de Barcelona, 2004

Goldstein, Ann and Lisa Mark, A Minimal Future? Art As Object 1958-1968, Cambridge, MA: MIT Press, 2004

Cheetham, Pam, and Julie Sheldon, Modern Art: A Critical Introduction, London, UK: Routledge, 2004 (2nd Edition)

Foster, Hal, Prosthetic Gods, Cambridge, MA: MIT Press, 2004

Getlein, Mark, Gilbert’s Living With Art, New York, NY: McGraw Hill, 2005

Fiero, Gloria, Landmarks in the Humanistic Tradition, New York, NY: McGraw Hill, 2005

Harcourt School Publishers’ Grade 4 Art Textbook, Orlando, FL: Harcourt School (CD-ROM), 2005

Adams, Laurie Schneider, A History of Western Art, New York, NY: McGray Hill, 2005 (4th edition)

Meyer, James, Cuts: Texts 1959-2004, Cambridge, MA: MIT Press, 2005

Robertson, Jean and Craig McDaniel, Themes of Contemporary Art: Visual Art After 1980, New York and Oxford, UK: Oxford University Press, 2005

Robert Smithson: Spiral Jetty, eds. Lynne Cooke and Karen Kelly, University of California Press / DIA Art Foundation, 2005

Re Views: Artists and Public Space, ed. Ruth Charity, London, UK: Black Dog Publishing, 2005

Carlin, John and Jonathan Fineberg, Imagining America: Icons of 20th Century American Art, New Haven, CT: Yale University Press, 2005

Anton, Saul, Warhol’s Dream, Paris, France: Les Presses du Réel/JRP Ringier, 2007

Cohen, Michael Jacob and Martin Prinzhom, Lisa Ruyter, Skarabaeus, Austria, 2007

Green, Alice, Arcturus, ed. Katie Bainbridge, New Dehli, India: Q2A Solutions, 2007

Adamson, Glenn, Thinking Through Craft, London, UK: Berg Publishers and V&A Publications, 2007

Nasby, Judith and Craig Pearson, Good Farmer, Bad Farmer, Montréal, QB: McGill / Queen’s University Press, 2007

Dillon, Tamsin, Platform for Art: Art on the Underground, London, UK: Black Dog Publishing, 2008

Boym, Svetlana, Architecture of the Off-Modern, Buell Center for the Study of American Architecture, Princeton, NJ: Princeton Architecture Press, 2008

Blalock, Ashley, Studies in Art: Institutions, Forms, Materials and Meaning, Dubuque, Iowa: Kendall/ Hunt Publishing Co., 2008

Leighton, Tanya, Art and the Moving Image: A Critical Reader, London, UK: Afterall Books and Tate Modern, 2008

Branck, Mica, What is Art?; Sculpture, Oxford, UK: Harcourt, 2008

Kohl, Mary Ann, Great American Artists for Kids: Hands-on Art Experiences in the Styles of Great American Masters, Bright Ring Publishing, Inc., 2008

Janson, et al, Janson’s Basic History of Western Art, Lawrence King for Pearson/Prentice Hall, 2008 (8th Edition)

Hunt, David, Richard Marshall and Nick Paumgarten, Richard Dupont Terminal Stage Charta, 2008

Kleiner, S., Fred and Christin Mamiya, Gardner’s Art Through the Ages, Wadsworth-Thomson, 2009 (13th Edition)

Bjone, Christian, Art and Architecture: Strategies in Collaboration, Basel, Switzerland: Birkhäuser, 2009

(1968): Episodes of Culture in Contest, eds. Cathy Crane and Nicholas Muellner, Newcastle: Cambridge Scholars, 2008

Zaczek, Iain, ART, Dorling Kindersley, 2008

Fichner-Rathus, Lois, Understanding Art, Cengage Learning/Nelson Education, 2010 (9th Edition)

Heartney, Eleanor, Andrew Rogers: Rhythms of Life, Edizioni Charta, 2008

Teare, Brian, Sight Map, Berkeley: University of California Press, 2009

Muellner, Nicholas, The Photograph Commands Indifference, A-Jump Books, 2008

Shin, Misa, The Art Industry, Bigaku Shuppan, 2008

Dell, Simon, Alistair Rider, William Wood, On Location: Siting Robert Smithson and His Contemporaries, London, UK: Black Dog Publishing, 2009

Balmori, Diana, A Landscape Manifesto, New Haven, CT: Yale University Press, 2009

The Contemporary Art Book, eds. Charlotte Bonham-Carter and David Hodge, London, UK: Carlton Books, 2009

Boetzkes, Amanda, At the Limit of Form: The Ethics of Contemporary Earth Art, Minneapolis, MN: University of Minnesota Press, 2010

Adams, Laurie Schneider, The Methodologies of Art, New York, NY: Westview Press, 2009 (2nd Edition)

Salvensen, Britt, New Topographies, Center for Creative Photography, George Eastman House, and Steidl, 2009

Richard Prince: Four Cowboys, essay by Gordon Burn, New York, NY: Harry N. Abrams, 2009

Clarke, David, Water and Art, London, UK: Reaktion Books, 2009

Art and Text, London, UK: Black Dog Publishing, 2009

Meijerink, Paula, On Asphalt, Cambridge, MA: Harvard University Graduate School of Design, 2009

Bouthillier, Rose and Sorrel Hershberg, Frieze Projects and Frieze Talks 2006-2008, London, UK: Frieze Foundation, 2009

Beck, Lisa, Yes, No, Something, Never, Always, New York, NY: Feature Inc., 2009

Schaffer, Simon and Adam Lowe, Anish Kapoor: Unconformity and Entropy, Turner, 2010

Norr, David, Teresita Fernández: Blind Landscape, JRP Ringier, 2009

Neri, Louise, Josiah McElheny, Skira Rizzoli, 2010

Iversen, Margareat and Stephen Melville, Writing Art History, Chicago, IL: University of Chicago Press, 2010

Ferris, Jean, America’s Musical Landscape, New York, NY: McGraw Hill, 2010 (6th Edition)

Adams, Laurie Schneider, Art Across Time, New York, NY: McGraw Hill, 2010 (4th Edition)

Nordenson, Guy, Catherine Seavitt and Adam Yarinsky, On the Water | Palisade Bay, Berlin, Germany: Hatje Cantz Verlag, 2010

Baetens, Jan, Hilde Van Gelder and Alexander Streitberger, Time and Photography, Leuven University Press, 2010

Zalmona, Yigal, 100 Years of Art in Israel, Jerusalem: The Israel Museum, 2010

Poulton, Donna, Painters of Utah’s Mountains and High Plateaus, Layton, UT: Gibbs Smith Publishing, 2010

Siegel, Katy, Since ’45: America and the Making of Contemporary Art, London, UK: Reaktion Books, 2010

Foster-Rice, Greg, Reframing the New Topographics, Center for American Places at Columbia College, Chicago: 2010

Carruthers, Meredith, Other Spaces Odysseys, Canadian Centre for Architecture and Lars Mueller Publishers, 2010

Stokstad, Marilyn, Art History, Laurence King Publishing for Pearson, 2010

Lerner, Jesse, The Maya of Modernism, Albuquerque, NM: University of New Mexico Press, 2010

The Grove Encyclopedia of American Art, Oxford University Press, 2010

Gaillard, Christopher, William Steiger, Hudson Hills Press, 2010

Rattemeyer, Christian, Exhibiting the New Art: ‘Op Losse Shroeyen’ and ‘When Attitude Becomes Form’ 1969, London, UK: Afterall Books, 2010

Lewallen, Constance M., and Karen Moss, State of Mind: New California Art Circa 1970, Berkeley, CA: University of California Press, 2011

Adams, Laurie Schneider, History of Western Art, New York, NY: McGraw Hill, 2010 (5th Edition)

Rider, Alistair, Carl Andre: Things in Their Elements, Phaidon Press, 2011

Bonaventura, Paul, Philip Hoave and Jeremy Millar, Tania Kovats, Ruskin School of Drawing and Fine Art, 2010

Pooke, Grant and Graham Whitham, Teach Yourself Explore Art History, Hodder Education, 2010

Cooke, Lynne, You see I am here after all, New Haven, CT: Yale University Press, 2011

Transcultural and Global Beats, eds. Jennie Skerl and Nancy Grace, Palgrave/Macmillian, 2011

Shaw, Lytle, Fieldworks: From Place to Site in Postwar Poetics, Tuscaloosa, AL: University of Alabama Press, 2011

Recker, Keith and Lee Eiseman, Pantone’s History of Color in the Twentieth Century, San Francisco, CA: Chronicle Books, 2011

Burkdahl, Else Marie, The Re-Enchantment of Nature and Urban Space, Utzon Center, Denmark, 2011 (Yucatan Mirror Displacements (1-9))

Gehrke, Andreas, Topographie, Berlin, Germany: Distanz Verlag, 2011 (Partially Buried Woodshed, Kent State University)

Johnson, Ken, Are You Experienced? How Psychadelic Consciousness Transformed Modern Art, Prestel Publishing, 2011 (Spiral Jetty)

Lee, Pamela, New Games, London and New York: Routledge, 2011 (Spiral Jetty, stills from the Spiral Jetty film)

Osborne, Peter, Cornerstones, Rotterdam, The Netherlands: Witte de With Press, 2011 (The Museum of the Void, Sketch for Asphalt Rundown, Alogon)

Kolodziej, Matthew, Gravity and Levity in Art, Jefferson, NC: McFarland Books, 2012 (Spiral Jetty, Glue Pour, Partially Buried Woodshed)

Meanings of Abstract Art: Between Nature and Theory, eds. Isabel Wünsche and Paul Crowther, London and New York: Routledge, 2011 (Nine Mirror Displacements)

Cityscapes in History: Creating the Urban Experience, eds. Katrina and Heléna Tóth, London, UK: Ashgate Publishing Ltd., 2011 (Monuments of Passaic)

Nagel, Alexander, Medieval Modern, London, UK: Thames & Hudson, 2011 (Four Sided Vortex)

Robert Smithson: Art in Continual Movement, eds. Ingrid Commandeur and Trudy van Riemsdijk-Zandee, Amsterdam: Alauda Publications, 2012

Steiger, William, Transport, Manchester, VT: Hudson Mill Press, 2011

Chorpening, Kelly, In- and Outside-Writing, Sheffield, UK: RGAP, 2012 (Heap of Language)

Finger, Brad, Modern Art: The Groundbreaking Moments, Munich and New York: Prestel, 2012 (Spiral Jetty, Gyrostasis)

Shiff, Richard, MURAL, New York, NY: Goldman Sachs, 2012 (Map of Broken Glass, Atlantis)

Pelizzari, Maria Antonella, Peripheral Visions: Italian Photography in Context, 1950s – Present, Milan, Italy: Charta Art Books, 2012

Herrmann, Daniel F., Josiah McElheny: The Past Was a Mirage I’d Left Far Behind, London, UK: Whitechapel Gallery, 2012

McQuade, Marc, Authoring: Re-placing Art and Architecture, Lars Müller Publishers with Princeton School of Architecture, 2012 (Yucatan Mirror Displacements, Glue Pour)

Photography: The Whole Story, ed. Juliet Hacking, London, UK: Thames & Hudson, 2012 (Yucatan Mirror Displacements)

Harris, Jonathan, The Utopian Globalists, Oxford, UK: Blackwell Publishing, 2012 (Partially Demolished Woodshed, Gravel Corner Piece, Spiral Jetty, Spiral Hill)

H & IT ON, ed. Adam Lauder, Toronto, ON: YYZBOOKS, 2012 (Nonsite Franklin, New Jersey)

Kavass, Veronica, Artists in Love, New York, NY: Welcome Books, 2012 (Spiral Jetty, Swamp)

Butler, Cornelia, et al., From Conceptualism to Feminism: Lucy Lippard’s Numbers Shows 1969-1974, London, UK: Afterall Books and Koenig Books, 2012 (400 Square Snapshots of Seattle Horizons, Glue Pour)

Nesbit, Molly, Pre-Occupations: The Pragmatism of the History of Art, Pittsburgh, PA: Periscope Publishing, Ltd., 2012 (Spiral Jetty)

Maisel, David, Black Maps: American Landscape and the Apocalyptic Sublime, New York, NY: Alan Rapp Studio, 2012 (Spiral Jetty)

Finessi, Beppe and Annalisa Ubaldi, Inventario, Milan, Italy: Corraini Edizioni, 2012 (Floating Island to Travel Around Manhattan)

Lasn, Kalle and Adbusters Media Foundation, Meme Wars: The Classical Destruction of Classical Economic, New York, NY: Seven Stories Press, 2012 (Glue Pour, Vancouver)

Viaud, Ambre and Floriane Herrero, Land Art, Paris, France: Editions Palette, 2012 (Spiral Jetty, Partially Buried Woodshed, and Asphalt Rundown)

Savig, Mary, Handmade Holiday Cards from 20th Century Artists, Washington, D.C.: Smithsonian Books, 2012

Delavaux, Céline, The Impossible Museum: The Best Art You’ll Never See, München, London, and New York: Prestel Verlag, 2012

Adjaye, David, David Adjaye: Authoring: Re-placing Art and Architecture, ed. Marc McQuade, Zurich: Lars Muller Publishers, 2012

Stuckey, Charles, Jackson Pollock: One, New York, NY: Museum of Modern Art, 2013

Oxvig, Henrik, “The Non-site,” When Architects and Designers Write/Draw/Build/? – Essays on Architecture and Design Research, eds. Dehs, Jorgen, Martin Weihe Esbensen, and Claus Peder Pedersen, Denmark: Arkitektskolens Forlag, Arkitektskolen Aarhus, 2013

Hilderbrand, Gary and Douglas Reed, VISIBLE | INVISIBLE: Landscape Works of Reed Hilderbrand, New York, NY: Metropolis Books, 2013

Dümpelmann, Sonja, Flights of Imagination: Aviation and Innovation in Twentieth-Century Landscape Design and Planning, University of Virginia Press, 2013

Loe, Hikmet and Russell E. Costa, “To be Conscious of the Actualities of Perception: Local/Global Attention and Perception Regarding Robert Smithson’s Earthwork, the Spiral Jetty,” Staging the Land: Contemporary Site-specific Creation and the Issue of Perception, France: University of Avignon, 2013

Lütticken, Sven, History in Motion, Berlin: Sternberg Press, 2013

Osborne, Peter, Anywhere or Not AT All: Philosophy of Contemporary Art, London and New York: Verso, 2013

Dillon, Brian, Objects in This Mirror, Berlin: Sternberg Press, 2013

Meltzer, Eve, Systems We Have Loved: Conceptual Art, Affect, and the Antihumanist Turn, Chicago: University of Chicago Press, 2013

Reality Through the Arts, New York, NY: Pearson, 2013

Lost Art: Missing Works of the 20th Century, ed. Jennifer Mundy, London, UK: Tate Publishing, 2013

Malik, Suhail and Christoph Cox, eds., Realism, Materialism, Art, Berlin: Sternberg Press and Center for Curatorial Studies, Bard College, 2014

Kalb, Peter R., Art Since 1980: Charting the Contemporary, New York, NY: Pearson, 2014

Copeland, Huey, Bound to Appear: Art. Slavery, and the Site of Blackness in Multicultural America, Chicago, IL: University of Chicago Press, 2013

Israel, Nico, On Spirals: Metamorphosis of a Twentieth Century Image, New York, NY: Columbia University Press, 2014

Slowinska, Maria, Art/Commerce: The convergence of art and marketing, Berlin: Transcript, 2014

Johnsson, Liselott, Painting Beyond Painting: From Pensiero Debole to an Expanded Practice, Saarbrucken, Germany: OmniScriptum, Februrary 2014

Augmented Reality Art: From an Emerging Technology to a Novel Creative Medium, Geroimenko, Vladimir (Ed.), Springer International Publishing, 2014

Stout, Katharine, Contemporary Drawing: From the 1960’s to Now, London: Tate Publishing, 2014

Tushnet, Mark V., Alan K. Chen and Joseph Blocher, Free Speech Beyond Words, New York: NYU Press, 2016

Apects: Fred Sandback's Sculpture, Chicago: University of Chicago Press, 2016

Burickson, Abraham and Ayden LeRoux, Odyssey Works: Transformative Experiences for an Audience of One, Princeton, New Jersey: Princeton University Press, 2016

Smith, Terry, Contemporary Art: World Currents, London: Laurence King Publishing Ltd., 2016

Art History, London: Laurence King Publishing Ltd., 2016



Land art USA: von den Urspru¨ngen zu den Grossraumprojekten in der Wu¨ste, Munchen: Prestel-Verlag, 1992

Tiberghien, Gilles, Nature, Art, Paysage, Ecole du Paysage Publications, 2001

Ardenne, Paul, Un art contextuel, Paris, France: Flammarion, 2002

Cros, Caroline, L’ABCdaire de la Sculpture du XXe siecle, Paris, France: Flammarion, 2003

Pacquement, Alfred, Jean-Marc Bustamante, Paris, France: Editions Gallimard, 2003

Janson, H. W., Povijest umjetnosti [History of Art], peto revidirano izdanje [5th revisededition], edited by Ivancic, Croatia: Stanek d.o.o., 2003

Ursprung, Philip, Grenzen der Kunst: Allan Kaprow und das Happening. Robert Smithson und die Land Art, (postdoctoral thesis), Munich: Verlag Silke Schreiber, 2003

Norac, Carl, Une journeé a la mer, La Renaissance du Livre, 2004

Makarius, Michel, Livre des Ruines, Flammarion, 2004

Poderos, Jean, Dada: La prehistoire, Paris: Mango, 2005

Poli, Francesco, Arte Contemporanea, Mondadori Electa, 2005

Wallenstein, Sven-Olov, Kairos nr. 10: Minimalism och postminimalism, Stockholm: Raster Förlag, 2005

Laroque, Didier and Baldine Saint Girons, eds, Paysage et ornement, Paris: Éditions Verdier, 2005

Canogar, Daniel, El Placer de la Ruina, Madrid: Exit 24, 2006

Mesplé, Louis, L'Aventure de la Photo Contemporaine de 1945 a Nos Jours, Paris: Éditions du Chene, Hachette Livre, 2006

Barthe, Christine, Le Yucatan est ailleurs: Expéditions photographiques de Dérire

Charnay, le Musée du quai Branly et Actes Sud: Paris, 2007

Bijutsu Shiryo (Fine Arts for junior high school students), Shugakusha Co., Ltd., April 2007

Gielen, Denis, Atlas, musée des arts contemporains, le Grand-Hornu, Belgium, 2007

Ameisen, Jean-Claude, Brigitte Brohard, Yvan Brohard and Michel Depardieu, Quand l’art rencontre la science, Paris: La Martiniere Groupe, 2007

CNED, Arts Plastiques Terminale, Paris: CNED, l’Institut de Rennes, 2007

Caderno Videobrasil, 3rd Edition, Associacçao Cultural Videobrasil, Sao Paolo, Brasil, 2007

Turisthistorier, Forlaget Vandkunsten, 2007

Bätzner, Nike, Wenerk Nekes, Eva Schmidt, Blickmaschinen oder wie Bilder entstehen, DuMont Verlag, 2008

An History of Empty Exhibitions, JRP Ringier, 2009

Littérature et imaginaire, Quebec: Cégap@distance, 2009

Larsen, Svend Erick, Dan Ringgaard, Litteratur DK, L&R Uddannelse, 2009

Delavaux, Céline and Christian Demilly, L’Art Contemporain, Edition Palette, France, 2009

Marcadé, Bernard, 53 Oeuvres qui (m')ébranlerent le Monde, Beaux Arts Editions, France, 2009

Haglund, Elisabet and Linda Fagerström, Place, Poetics and Politics. Contemporary Art in the Public Realm, Skissernas Museum, Lund University, Sweden, 2010

Expression and Appreciation, Kairyudo, Japan, 2010

Junior High School Art 3, Hamashima Shoten, Japan, 2010

Blanc, Natalie and Julie Ramos, Ecoplasties, Manuella Editions, France, 2010

Mitchell, W.J.T., Que veulent les images?, Les Presses du réel, 2013

Shefer, Olivier, Mélanges Romantiques, Paris: Les éditions du Félin, 2013

Parateoria: kalifornijska szkoła z Irvine, Warsaw, Poland: Institute of Literary Research, Polish Academy of Sciences, 2014


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