Writings by the Artist
Interviews, Articles and Reviews
Catalogues and Books
Forthcoming Publications
Films and Public Collections
INTERVIEWS WITH THE ARTIST

Robbins, Anthony, "Smithson's Non-sites Sites", ArtNews, February 1969, p.50
Leavitt, Thomas, "Earth", symposium at A.D. White Museum, Cornell University, 1969
Lipke, William C. "Fragments of a Conversation With Patsy Norvell", edited, 1969
Wheeler, Dennis, "Four Conversations between Dennis Wheeler and Robert Smithson",
edited Eva Schmidt, 1969-70
Toner, Paul, "Interview with Robert Smithson", 1970
Bear, Liza and Sharp, Willoughby, "Discussion with Heizer, Oppenheim, Smithson",
Avalanche, Fall 1969
Muller, Gregoire, "The Earth, Subject to Cataclysms," Arts Magazine, November 1971
Kurtz, Bruce, "Conversation with Robert Smithson", Domus, November 1972, p. 53
Cummings, Paul, "Interview with Robert Smithson for the Archives of American Art,
Smithsonian Institution", 1972
Pettena, Gianni, "Conversation in Salt Lake City", Domus,November 1972
Sky, Alison, "Entropy Made Visible", On Site #4, 1973, p. 47
Roth, Moira, "Robert Smithson on Duchamp", Artforum, October 1973, p. 47
"Spiral Jetty", movie treatment photo from John Weber Gallery, New York
"Absurd View", 1970, drawing
"Robert Smithson's Amarillo Ramp", Avalanche #8, Fall 1973
"The Spiral Jetty", Big Deal 3, New York City, p.3
Boettger, Suzaan, "Robert Smithson", interview by Willoughby Sharp (1969), Art in America,
New York, December 1998, 75-81


ARTICLES/REVIEWS

1966

Ashton, Dore, "Art", Arts & Architecture, December 1966
Bochner, Mel, "Primary Structures", Arts, June 1966
Bochner, Mel, "Art in Process-Structures", Arts, July 1966
"Minus Plato", Art & Artists, September 1966, p. 10

1967

Michelson, Annette, 10" x 10": Concrete Reasonableness", Artforum, February 1967, p.30
Lippard, Lucy and John Chandler, "Visible Art and the Invisible Work", Art
International, May 1967
Mellow, James R., "New York", Art International, February 20, 1967
Burton, Scott, "Reviews & Previews", Art News, January 1967, p.19
Pincus-Witten, Robert, "New York", Artforum, February 1967
Greenburg, Clement, "Recentness of Sculpture", Art International, April 20, 1967
"Austellungen in New York", Das Kunstwerk, February/March, 1967, p. 25

1968

Baro, Gene, "American Sculpture: A New Scene", Studio International, January 1968, p.9
Lippard, Lucy and Chandler, John, "The Dematerialization of Art", Art International,
February 1968, p.31
"Reviews & Previews", Art News, March 1968, p. 24
"New York Review", Artforum, May 1968, p. 62
Blok, C., "Minimal Art at The Hague", Art International, May 1968, p. 18
Pierce, James Smith, "Design and Expression in Minimal Art", Art International,
May 1968, p. 66
Mellow, James R., "New York Letter", Art International, May 1968, p. 66
"Images", Arts Magazine, June/Summer 1968, p. 21
"Austellungen in New York", Das Kunstwerk, April/May 1968, p. 23
Gilrardi, Piero, "Primary Energy and the "Micromotive Artists", Arts Magazine,
September/October 1968, p. 48
Hutchinson, Peter, "Science-Fiction: an Aesthetic for Science", Art International,
October 20, 1968 p. 32
Glueck, Grace, "Moving Mother Earth", New York Times, Art Notes, October 6, 1968
Hutchinson, Peter, "Earth in Upheaval: Earthworks & Landscapes", Arts,
November 1968, p. 19
Tillim, Sydney, "Earthworks and the New Picturesque", Artforum, December 1968, p. 42
Selvig, Forrest Hall, "Whitney Annual: Sculpture 1968", Arts Magazine,
December/January 1968, p. 25
Mussman, Toby, "Literalness and the Infinite", Minimal Art: A Critical Anthology,
edited by Gregory Battcock, New York, 1968, p. 42
Ratcliff, Carter, Art in America 56, no. 5, September - October 1968, p. 110
Junker, Howard, "The New Sculpture: Getting Down to the Nitty Gritty",
Saturday Evening Post, November 2, 1968, p. 42
Glueck, Grace, "Multiplicity is Key Word in City's Art Galleries this Fall",
New York Times, July 30, 1968, p. 32
Perrault, John "Long Live Earth", The Village Voice, October 17, 1968

1969

Celant, Germano, Art Povera, New York, 1969, 139-145
Rose, Barbara, "Problems of Criticism V: The Politics of Art Part II", Artforum, January 1969
Kramer, Hilton, "The Emperor's New Bikini", Art in America, January/February 1969, p.49
Perreault, John, "Art Down to Earth", The Village Voice, February 13, 1969, p. 18
Perreault, John, "Non-Sites in the News", New York, February 24, 1969, p. 44
Perreault, John, "Art off the Wall", The Village Voice, March 13, 1969, p. 13
Kozloff, Max, "Art", The Nation, March 17, 1969, p. 347
Rigg, Margaret, "The Art of Protest", Civil Liberties, February 1969, p. 16
Manhattan East, February 21, 1969
Trimi, Tomasso, "Imagination Takes Command", Domus, February 1969, p. 43
Review, Arts Magazine,1969
Pincus-Witten, Robert, "New York", Artforum, April 1969, p. 69
Burton, Scott, "New York: Robert Smithson's Non-Sites", Artscene, April 1969, p. 22
Bourdon, David, " What on Earth!", Life Magazine, April 25, 1969,
Shirey, David, "Impossible Art-What it is Earthworks", Art in America, May/June 1969, p.33
Schjeldahl, Peter, "New York Letter", Art International, April 20, 1969, p.62
Weinhardt, Carl J., "Painting and Sculpture Today: 1969", Bulletin/Indianapolis Museum
of Art, May 1969, p. 210
Reise, Barbara, "Untitled 1969: A Footnote on Art and Minimal Stylehood",
Studio International, April 1969, p.166
Kudielka, Robert, "The Art of the Real", Das Kunstwerk, April/May 1969, p.51
Blok, C., "Letter from Holland", Art International, May 20, 1969,p. 51
Meyer, Ursula, "De-Objectification of the Object", Arts Magazine, Vol. 443, No. 8,
1969, p.21
Robbin, Anthony, "Smithson's Non-site Sites", Art News, February 1969, p.50
Plagens, Peter, "The Possibilities of Drawing", Artforum, October, 1969. p.54
"Highlights of the 1968-69 Art Season", The Aldrich Museum of Contemporary Art…..
Alloway, Lawrence, "The Expanding and Disappearing Work of Art", Auction,
October 1969, p.36
Lowndes, Joan, "Art", The Province, Canada, December 1969
Celant, Geramno, "Nature Has A Risen", Casabella, August/September 1969, p.104
Bonito Oliva, Achille, "Tempo Concreto", Domus, December 1969

1970

Rosenberg, Harold, "The Art World", New Yorker, January 1970, p. 6..
Staber, Margit, "Prospecta-Kunstmarkt 1969", Art International, January 1970, p. 69
Von Bonin, Wibke, "Germany: The American Presence", Arts Magazine, March 1970, p. 52
"La Scultura Americana", L'Arte Moderna, No. 115,
Vol. XIII World Progress, Summer, 1970
Battcock, Gregory, "Informative Exhibition at the Museum of Modern Art", Arts
Magazine, Summer 1970
Leider, Philip, "How I Spent My Summer Vacation or Art and Politics in Nevada,
Berkeley, San Francisco and Utah", Artforum, September 1970
Shapiro, David, "Processionary at the Conceptable", Art News, September 1970
Lippard, Lucy, "The Art Worker's Coalition: Not a History", Studio International,
November 1970, p.171
Ashbury, John "Previews & Reviews", Art News, December 1970
"Robert Smithson", Art Now, New York", Vol. 2, No. 9
Perrault, John, "Art: That Time Again, Village Voice, December 24, 1970

1971

"Whitney Sculpture Show", Pictures on Exhibit, January 1971, p. 8
"News of the Art World", Arts Magazine, December
Mashek, Joseph, "New York", Artforum, January 1971, p. 73
Junker, Howard, "The Apocalypse of Our Time is Over", Rolling Stone, February 18,
1971, p. 42
Taylor, Robert, "Boston", The Art Gallery, February 1971, p. 21
Schwartz, Therese, "News of the Art World", Arts Magazine, February 1971, p. 16
Schum, Gerry, "Tele-Landart", Domus, November 11, 1970, p. 56
Mashek, Joseph, "Sorting out the Whitney Annual", Artforum, February 1971, p. 70
Rose, Barbara, "Collecting Film Art", Vogue, March 1971, p. 74
Antin, David, "It Reaches a Desert in Which Nothing Can Be Perceived But Feeling",
Art News, March 1971, p. 69
Baker, Kenneth, "Of Course, But…", The Christian Science Monitor, February 23, 1971, p. 68
Jacobs, Jay, "New York Multiples", The Art Gallery, April 1971, p. 48
Henry, Gerrit, "New York Multiples", The Art Gallery, April 1971
Friedman, Bruce Jay, "Dirty Pictures", Esquire, May 1971, p. 112
Parent, Beatrice, "Land Art", Opus International, Vol. 23, p. 22
Green, Denise, "Projected Art at the Finch College", Art Magazine, May 1971, p. 54
Mashek, Joseph, "The Panana Canal and Some Other Works of Work", Artforum,
May 1971, p. 38
Linville, Kasha, "Sonsbeek: Speculations, Impressions", Artforum, Vol. X, No. 1, p.50
Kurtz, Bruce, "Sonseek", Arts Magazine, September/October, 1971, p. 50
Blotkamp, Carel, "Sculpture at Sonsbeek", Studio International, September 1971, p. 50
Muller, Gregoire, and Robert Smithson, "… The Earth, Subject to Cataclysms, is a Cruel Master",
Arts Magazine, November 1971, p. 36
Krauss, Rosalind, "Problems of Criticism", Artforum, November 1971
Harrison, Charles, "Art on TV", Studio International, Vol. 1818, No. 99, January 1971 p. 30

1972

Alloway, Lawrence, "Network", Artforum, September 1972
Krauss, Rosalind, "A View of Modernism", Artforum, September 1972
Alloway, Lawrence, "Robert Smithson's Development", Artforum, November 1972

1973

McDarrah, Fred W., "Robert Smithson", The Village Voice, July 1973, pp. 16-21
Bear, Liza & Holt, Nancy, "Robert Smithson's Amarillo Ramp", interview with Sid Feck
by Nancy Holt, forward by Nancy Holt & Liza Bear, Avalanche, Number 8,
Summer/Fall, 1973, pp. 16-22
Leider, Philip,"For Robert Smithson", Art in America, November/December 1973, pp. 80-82
Davis, Douglas, "Art Without Limits", Newsweek, Vol. LXXII, Nov. 26, December 24, 1973

1974

Borden, Lizzie, "The New Dialectic", Artforum, Vol. XII, No. 6, March 1974, pp. 44-51
Gilbert-Rolfe, Jeremy, "Robert Smithson", Arforum, review, Bol. XV11, No. 1,
September 1974, p. 46
Celant, Germano, "Amarillo Ramp L'Ultima Opera di Robert Smithson", Domus,
February 1974, p. 46
Herrera, Hayden, "A Way of Thinking Out Loud: The Drawings of Robert Smithson",
Art in America, Vol. 62, No. 5, September/October 1974, pp. 98, 99
Coplans, John, "Robert Smithson, The Amarillo Ramp", Artforum, Vol. XII, No. 7,
April 1974, pp. 36-45
Perreault, John, "Field Notes for a Dark Vision", The Village Voice, May 9, 1974, pp.37-38
Russell, John, "He Dreamed of Floating Islands", The New York Times, Section D,
April 28, 1974, p. 19
Hess, Thomas B., "The Condemned Playgrounds of Robert Smithson, New York, Vol. 7,
No. 22, June 3, 1974, pp. 88-89
"Robert Smithson", Art-Rite, Issue No. 5, Spring 1974, pp. 10-12
Alloway, Lawrence, "Artists as Writers, Part Two: The Realm of Language", Artforum,
Vol. xii, No. 8, April 1974, pp. 30-35
"Scenes", Village Voice, October 10, 1974, p. 3
Art News, September 1974
Richard, Paul, "The Stuff of Art Romance, of Myth", The Washington Post, October 29,
1974, p. B8
Lewis, JoAnn, "Earthy Works Get a Rare Display Here", Washington Star News,
October 25, 1974

1975

Bierman, William, "Burn the Woodshed!", Beacon, The Sunday Magazine of The Akron
Beacon Journal, July 20, 1975, Akron, Ohio, pp. 4-7, 14, 15, cover photo p. 1
Seeman, Joan, "The Flowering of American Sculpture", Art News, December 1975, pp. 46-48

1976

Russell, John, "Drawing Now, One of Modern's Best", New York Times, January 24, 1976
Baker, Elizabeth, "Artworks on the Land", Art in America, January/February, 1976, pp. 92-96
Pollack, Duncan, "You Don't Need to See to Believe in Boulder", review of
'Locate/Order/Measure'Rugby Mountain News 'Now', Boulder, Co.,
October 19, 1976, p.30
Smith, Roberta, "Drawing Now (And Then)", Artforum, April 1976, pp. 52-56
McKenna, Kristine, "Earthworks Surveyed", Art week, Februry 21, 1976
Gilbert-Rolfe, Jeremy and Johnston, John, "Gravity's Rainbow and the Spiral Jetty",
an essay in 3 parts: October, (no. 1), pp. 65-85; October 2, 1976, pp. 71-90;
October 3, 1977, pp. 90-101
Bourdon, David, "Salt Mines Turn to Art, Photographs to Politics", The Village Voice,
May 1976
Russell, John, "Robert Smithson", review, New York Times, May 7, 1976, C12
Bignamini, Ilaria, "Photography: A Specific Communication for Artist Research",
Flash Art, May 17, 1976
Sischy, Ingrid, "200 Years of American Sculpture", review of catalogue, The Print
Collector's Newsletter, New York, July/August 1976, p. 9
Lubell, Ellen, "Robert Smithson", Arts Magazine, September 1976, p.19
Adrian, Dennis, "Art that's the Salt of the Earth", Panorama, Chicago Daily News,
October 9, 1976, p. 13

1978

Andre, Carl, "Robert Smithson - He Always Reminded Us of the Questions We Ought to
Have Asked Ourselves", Arts Magazine 52, (9), New York, May 1978

1980

Russell, John, "The Fertile Imagination of Robert Smithson", The New York Times,
November 30, 1980
Larson, Kay, "Enigma Variations", New York Magazine, December 1980
Kason, Mimi, "Smithson: A Day in New Jersey, a Night in Ithaca, East Side Express,
December 4, 1980
Mackin, Jeanne, "Environmental Art Indoors", The Ithaca Journal, November 27, 1980
Weinfield, Neal, "Earthworks & Non-sites", The Cornell Daily Sun, November 19, 1980
Chambers-Hartz, Jill, Cornell Reports, December 1980
Perreault, John, "Earth Moves", The Soho News, November 19, 1980

1981

Graham, Richard, "The Landscape, Two Views", Whittier Globe, March 1981
Hellekson, Diane, "Solid Earth Works", Minneapolis Daily, February 6, 1981
Gossley, Mimi, "Robert Smithson: Sculpture", The Houston Post, December 13, 1981
Auer, James, "Landscapes, Inside Out", The Milwaukee Journal, March 1, 1981
Bourdon, David, Vogue, February 1981
McConathy, Dale, "Robert Smithson and Anti-Modernism: The Rapture of Past and Present",
Arts Canada, March/April 1981
Artner, Alan G., "With Smithson Sculpture, MCA Gets Down to Earth",
Chicago Tribune, April 26, 1981
Childs, C. Elizabeth, "Robert Smithson and Film: The Spiral Jetty Reconsidered",
Special Section: Robert Smithson, Arts, October 1981, pp. 68-81
Kuspit, Donald B., "The Pascalian Spiral: Robert Smithson's Drunken Boat",
Special Section: Robert Smithson, Arts, October 1981, pp. 81-88
Rubio, Eduardo, "Robert Smithson: Une Sedimentation de la Vie", Canal, November 1981
Dobbs, Lillian, "John Weber Artists Reject Traditional Modes", The Miami News,
January 23, 1981
Morrison, Don, "Enticing View of 'Landscape' opens at the Walker', Minneapolis Star,
February 6, 1981
Baker, Amy, "Smithson's Site/Non-Site: New York City Walk", Artforum,
February 1981
Calas, Nicolas, "Scandal's Witnesses Grafting Smithson on Bataille", Artforum, February 1981
Kurtz, Bruce, "Sculpture as Landscape", Portfolio, May/June 1981
Halley, Peter, "Beat Minimalism, New Wave and Robert Smithson", Art Magazine, May 1981
Lippard, Lucy, "Gardens: Some Metaphors for a Public Art", Art in America,
November 1981, pp. 136-150
Hicks, Emily, "Robert Smithson: Sculpture of Entropy", Artweek Review, September 19
Muchnic, Suzanne, "Reflecting the Legend of Smithson", Calendar, August 30, 1
Knight, Christopher, "The Very Rich and Complex Work of Robert Smithson",
Los Angeles Times, August 13, 1981
Iamco-Stirrels, Josine, "Robert Smithson Retrospective", The Los Angeles Times,
August 9, 1981
"Exhibits Span Artists' Careers", The La Jolla Light, August 9, 1981
Schulze, Franz, "Smithson Show Recalls Vanguard of Long Ago", New York Sunday Times,
May 31, 1981
Lyon, Christopher, "Scaling the Universe", The Reader, May 8, 1981
Artner, Alan G., "With Smithson Sculpture MCA Gets Down to Earth", Chicago Tribune, April 26, 1981
Wasserman, Isabelle, "Smithson Cut Swath in Art with Bulldozer", San Diego Union,
August 18, 1981

1982

Kramer, Hilton, "Art: Smithson Sculpture Comes to the Whitney", New York Times,
February 8, 1982
Kurtz, Bruce, "Robert Smithson at the Whitney", Art in America, April 1982
Robertson, Allen, "Land and City Scapes"...
Baker, Amy, "The Challenge of Contemporary Patronage", Art in America, March 1982
Smith, Roberta, "Digging Smithson", Village Voice, March 30, 1982
Shapiro, David, "A Poetics of the Earth", Bennington Review 13, June 1982, pp. 35-38
Gabriel, Bertram, "Works of Earth", Horizon Magazine, January/February 1982

1983

Gopnik, Adam, "Basic Stuff: Robert Smithson, Science, Science, and Primitivism",
Arts Magazine, March 1983

1984

Wardell, Allen, "Rubin's Primitives", Art World, November 1984
Tomkins, Calvin, "Talisman", New Yorker, October 29, 1984
Hughes, Robert, "Return of the Native", Time, October 15, 1984
Russel, John, "Primitivism in 20th Century Art", London Times, October 30, 1984
Rose, Barbara, "The Man form MOMA", Vogue, September 1984
Brunetta, di Gian Piero, "Picasso l'Africano", Illa Republica, Roma, November 14, 1984
Eco, di Umberto, "Le Affinita Primitive", L'Expresso, October 28, 1984
Stevens, Mark, "Paying Tribute to the 'Primitive", Newsweek, October 11, 1984
Kramer, Hilton, "The Primitivism Conundrum", The New Criterion, December 1984
O'Neil, Thomas, "The Primitive Urge", Horizon, September 1984
Hohmeyer, Jurgen, "Im Kalten Fruhrot Fremder Kunst Begegnet", Der Spiegel,
November 1984

1985

Narotzky, Susana, "Nueva York, Que es Primitivo? Que es Moderno", Lapiz, February 1985
McEvilley, Thomas, "Doctor Lawyer Indian Chief", "Primitivismn 20th Century the
Museum Art at Modern Art in 1984", Artforum, February 1985

1986

Phillips, Patricia, C., "Robert Smithson at International with Monument", Artforum,
April 1986, p. 109
Tsai, Eugenie, "The Unkown Smithson", Arts Magazine, March 1986, pp. 33-35
Dreishpoon, Douglas, "Robert Smithson", Arts Magazine, April 1986, p. 113

1988

Jones, Bill, "Michael Heizer, Robert Morris, Robert Smithson at Tony Shafrazi", Flash Art,
October 1988, p. 129
Staniszewski, Mary Anne, "Conceptual Art", Flash Art, November/December 1988, No. 145, p. 88
Allen, Jane Addams, "Post-modernism and the Romantic Temper", The World and I,
December 1988, p. 246-57
Mantegna, Gianfranco, "Open the Roof to the Rain!", Gordon Matta-Clark, Tema Celeste
October/November 1988, pp. 39-40
Reynolds, Ann, "Reproducing Nature: The Museum of Natural History as Nonsite",
October (45), 1988, pp. 109-27
Wood, Paul, Art Monthly, (review), May 1988

1989

Arts Magazine, review, March 1989
Tsai, Eugenie, "Robert Smithson", Arena, January 1989, p. 40-7
Conversation between Sevedi Benedetto, Peter Halley, Robert Nickas, "Climates of Site",
Arena, January 1989, p. 48-53
Nickas, Robert, "The Politics of Time", Arena, January 1989, pp. 58-60
Review in Arts Magazine, March 1989
Neastved Tidende, September 14, 1989
"Robert Smithson's tegninger", Soro Avis, September 13, 1989
"Robert Smithson's tengenger", Sor Avis, September 20, 1989
Week-end Avisen, October 6, 1989
"Hor mere om Robert Smithson", Soro Tidende, October 19, 1989
"Amkericansk bulldozer-Kunst", Slagelse, September 15, 1989
Berlingske Tidende, October 29, 1989
"Enestaende Kuntoplevelse Kun I Soro", Soro Avis, September 20, 1989
"Land-Art", Information, October 5, 1989
Smith Dagbladet, October 10, 1989
Smith Dagbladet, October 15, 1989
Sabroe, Charlotte, "Han Arrangerer Natzen", Det Fri Aktvelt, September 20, 1989, p. 21
Wierup, Torben, "Jord I hovedet", Politiken, October 13, 1989
Hornung, Peter M., "Drawing Over Jorden", Politiken, October 13, 1989
Kobke Sutton, Gestrud, "Land Art", Information, October 25, 1989

1990

Temin, Christine, "Provocative Show at Zoe Gallery Celebrates the Earth",
Boston Globe, January 4, 1990
Buchloch, Benjamin, "Conceptual Art 1962 - 1969: From the Aesthetic of
Administration to the Critique of Institutions", October 55, MIT Press,
Cambridge, Mass, 1990, pp. 105-143
Stapon, Nancy, "Our Land": Artists with Social Consciousness", Boston Herald,
January 10, 1990
Colpitt, "Space Commanders", Art in America, January 1990, p. 66-71
Calderon, Manuel, "Robert Smithson Dibujos (1960-1973), May 12, 1990

1991

Spahr, P. Andrew, "Abstract Sculpture in America 1930-1970", American Federation of
the Arts, New York, 1991
Johnson, Ken, "The Political Arm", at John Weber, Art in America, June,
1991, p.148
Tuchman, Phyllis, "Robert Smithson's Earthwork's Genesis", New York Newsday,
October 25, 1991, p. 74

1992

Tiberghein, Gilles, "Sculptures Inorganiqes", Les Cahiers, no. 39, 1992
Carpenter, Merlin, "Robert Smithson", Texte zur Kunst, February, 1992
Dreher, Thomas, "Robert Smithson: Land Reclamation and The Sublime", Arte Factum,
Vol. 45, Oct/Nov. 1992
Owens, Craig, "Photography en abyme", Beyond Recognition: Representation, Power
and Culture, edited by Scott Bryson, Berkeley, University California Press, 1992,
pp. 16-51
Graziani, Ronald Sisto: (De)terminating the Political Enframement in the art by Robert
Smithson, PH.D. disseration, University of California, Los Angeles, 1992

1993

Gallagher, Shana, "Collections - Traces - Connections: Selections From the Robert
Smithson Papers", Archives of American Art, Regional Center Gallery
Creacion, (Volume 7), Seis Aritculos (issue dedicated to Smithson),
February 1993, pp. 56-112
Archer, Michael, "Robert Smithson:Photoworks", At the Museum, (The magazine of the
Los Angeles County Museum of Art), Los Angeles September, 1993
Knight, Christopher, "Bracing Look from Artist's Eye", Los Angeles Times, Sept. 11, 1993, pp. 10-11
Zevi, Adachiara, "Robert Smithson: Contro de lancette dell'orogiol - Against the Wheels
of Time", L'Architeturra, April 1993, pp. 295-298
Barden, Lane, "Infinite Camera: Robert Smithson: Photoworks at LACMA", ArtWeek,
November 18, 1993
Hagen, Charles, "Smithson's Way Looking at the Land", The New York Times,
December 31, 1993 p. C3
Jarques, Vincente, "Mas Alla del Minimalismo", El Guia, September 1993, pp. 54-55
"Las Escultureas Post-Minimal de IVAM", Diario, September 26, 1993
"El IVAM Centre del Carme Inaugura con dos Muestras", October 1, 1993, p.47
"Las Esculturea abre la Temporada en el Centere de Carmel, El Pais,
October 1, 1993, p. 10
"Dos Exposiciones en el IVAM: Pieter Laurens Mol y La Escultura Post-Minimal", Paris
Balenciano - El Punto de las Artes, October, 1993, p. 14
"Las Ultimas Tendencias", El Mundo, October 8, 1993, p. E4
Rivelles, Rafael Prats, "Una Appoximacion a la Escultuira Post-Minimal", Que Y Donde,
October, 1993, p. 7
"Tres Valencianos en el IVAM", Diario, October 24, 1993, p. 8
"La Minima Expression", Futuro, October, 1993
Illustration, "White Gravel Path", World Tour, pg. 10
"Exposiciones", RL: Revista de Royal Life Espana, October 6, 1993
"La escultura post-minimal en las collecciones del IVAM", Tendencias, No. 1,
November 1993, p. 32
Flanagan, Barry, "Esculturas Post-Minimal", Arte: Revista de las Artes Visuales, No. 7,
November/December 1993, pp. 53-54
Puvogel, Renate, "Robert Smithson", Artis, March 1993, pp. 36-41
Reynolds, Ann Morris, "Robert Smithson: Learning from New Jersey and Elsewhere",
PHD, Dissertation, City University of New York, New York, 1993

1994

Muir, Gregoire, "The Epic and the Everyday", Flash Art, October 1994, p. 93
van Winkel, Camiel, "Robert Smithson - On the Road/off the Road", Metropolis ,
June 1994, p. 24-31
Jones, K. Marriott, "Robert Smithson - International Center for Photography", Artforum,
May, 1994, p. 99
"Conceptual Art and the Reception of Duchamp", October (70), MIT Press,
Cambridge, Mass.,1994, pp. 127 - 146

1995

Criqui, Jean-Pierre, "Rising Sign", Artforum, Summer 1995, p. 80
Bordaz/Tiberghien, "Robert Smithson - Le Paysayage Entropoique 1960-1973",
Galleries Magazine, October/November 1994, p. 55
Krauss, Rosalind,"Passenger in the Shadows", Aperature (137), New York, Fall 1994, pp. 6-25
Risaliti, Sergio, "Marseille: Robert Smithson: MAC", Flash Art, March -April 1995, p. 112-113
"Tracing Cultures: Art History, Criticism, Critical Fiction", Whitney Museum of
American Art, Independent Study Scholars, 1995, p.139-157
Larson, Kay, "Art of the Modern Century", Atelier, May/June 1995, p. 72-77
Wakefield, Neville, "Hotel Palenque: Robert Smithson 1969-1972", Parkett,
No.43/1995, pp. 117-132
"Attitudes/Sculptures", CAPC Musee d'Art Contemporain de Bordeaux, 1995, pp. 98-115
Karmel, Pepe, "Robert Smithson: Early Works", New York Times, October 27, 1995, p.C29
"Hartford Art School Presents "The Edge of Town November 6, 1995- January 15, 1996",
Naugatuck Daily News, Monday, 1995
McNally, Brian, "The City, The Land, and Art", The Hartford Courant, Sunday,
November 2-9, 1995
Rosoff, Patricia, "Artists Who Move Mountains", Hartford Advocate, November 2-9, 1995
Hanna, Deirdre, "Robert Smithson's Earthworks Move Mountains", Hartford Advocate,
November 1995 (review from Art Gallery of Ontario)
Mays, John Bently, "Playing in the Mud", The Globe and Mail, August 19, 1995,
(review from Art Gallery of Ontario)
Girling, Oliver, "Outside the Inside", Eye Weekly, August 31, 1995, (review from Art
Art Gallery of Ontario)
Hume, Christopher, "His Unique Mark on the Landscape", The Toronto Star, August 31,
1995, (review from Art Gallery of Ontario)

1996

Levy, Ellen K., "Repetition and the Scientific Model in Art", Art Journal, Spring, 1996,
Vol. 55, No. 1, p. 81, (illus)
Ruwedel, Mark, "The Land as Historical Archive", American Art (published in Canada),
Spring, 1996, pp. 36-41
Ursprung, Philip, "Robert Smithson's Hotel Palenque", Daidalos, December, 1996, pp. 148-153
Gallagher, Shana, "Collections - Traces - Connections: Selections From the Robert Smithson
;Papers", Archives of American Art, Regional Center Gallery
Zimmer, William, "On the Edge: Where Nature Comes Together with Culture", The New York
Times, Connecticut Weekly, Sunday, January 7, 1996, Section 13
"Hartford Art School Presents "The Edge of Town November 6, 1995- January 15,
1996", Naugatuck Daily News, Monday, 1996
Ottinger, Didier, "Spirales", Les Cahiers du Musee National d'Art Moderne #58,
Winter 1996, pp. 131-137
Bois, Yves-Alain & Krauss, Rosalind E.: "Formless: A User's Guide", October (78),
MIT Press, Cambridge, Massachusetts, 1996

1997

Karakus, Gokhan, "Mirror Life", Blue, Premiere Issue No. 1, 1997, pp. 118-119
Levin, Kim, "Robert Smithson - Issues of Entropy", Village Voice, January 29, 1997
"Robert Smithson - Issues of Entropy", New Yorker, January, 1997
Kwon, Miwon: One Place after Another: Notes on Site Specifity, October (80),
MIT Press, Cambridge, Mass. 1997
Green, Renee, "Partially Buried", October (80), MIT Press, Cambridge, Mass., 1997
Goldberg, Vicki,.. "nature.. an infinite series of movie 'stills' - Robert Smithson:
SlideWorks", Milano, 1997, pp. 169-183

1998

Miles, Christopher, "Going with the Flow", Art & Text (63), Paddington, Australia,
November 1998
Boettger, Suzaan, "Degrees of Disorder", Art in America, New York, December 1998, pp. 75-81

1999

Vogel, Carol, "Spiral Jetty Given to Dia", Inside Art, The New York Times, Friday,
September 17, 1999
Tumlir, Jan, "Afterimage", at the Museum of Contemporary Art, Los Angeles,
Art/Text, #67, 1999, p. 83
Roth, Charlene, "Afterimage: Drawing Through Process", The Museum of
Contemporary Art, New Art Examiner, November 1999, p. 50
Molesworth, Helen, "Afterimage: Drawing Through Process", MOCA, Los Angeles,
Frieze, November/December, issue 49, 1999, pp. 102-103
Frank Peter, "Afterimage: Drawing Through Process Process", Museum of
Contemporary Art, Los Angeles, Art on Paper, December, 1999, p. 61

2000

Glueck, Grace, “Defining Art as a Moment To be Seized and X-Rayed”, The New York
Times
, Friday, April 26, 2000
Harris, Susan, “Robert Smithson at James Cohan”, Art in America, 2000, pp. 118-119
Schjeldahl, Peter, “All That Jazz”, The American Century: Art and Culture, 1900-2000,
The New Yorker, October 18 & 25, 1999, p.244, 246, 249
Ratcliffe, Carter, “Writer’s Blocks: Robert Smithson’s Drawings,” Art on Paper,
September-October, 2000, pp. 58-63

2001

Leider, Phillip, “Smithson and the American Landscape,”Art in America, January, 2001, pp. 74-79
Boettger, Suzaan, “A Found Weekend, 1967: Public Sculpture and Anti-Monuments,”
Art in America, January, 2001, pp. 80-85, 125
Dannatt, Adrian. "Review" The Art Newspaper. November 2001. p.70.
Newhall, Edith, "Art Cue-Talent: Landmarks" New York Magazine, Nov 12, 2001. p. 144.
Schwendener, Martha. "Robert Smithson 'Mapping Dislocations'" Time Out New York.
November 8-15, 2001. p. 70.
Williams, Gregory, "Robert Smithson" Artforum, Oct 12-Nov 24, 2001.

2002

Cheetham, Mark and Harvey, Elizabeth, "Obscure Imaginings: Visual Culture and the
Anatomy of Caves," Visual Culture, no. 1, Spring 2002
Halle, Howard, "Lite Show," Time Out New York, August 29 - September 5, 2002. p. 52.
Kimmelman, Michael, "Out of the Deep" New York Times Magazine, October 13, 2002. p. 40.
Coomer, Martin, "On the Way There" Time Out London, October 9-16, 2002. p. 57.
Denny, Ned, "Enigma of Arrival" New Statesman, September 30, 2002.
Taylor, John Russell, "Road from Nowhere" The Times, September 25, 2002. p. T2.
Güner, Fisun, "Everyday Drive-by Shooting", Metro Life, September 23, 2002.
RCJ's best London Shows: revue, The Times, September 21, 2002.
Sumpter, Helen, "Get A Move On", The Big Issue, September 16, 2002.

2003

Brown, Brenda J., "Cultured Pearl: Great Salt Lake Falls: Spiral Jetty Rises"
Landscape Architecture, May 2003, Vol. 93 no. 5.
Writings by the Artist
Interviews, Articles and Reviews
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Forthcoming Publications
Films and Public Collections