Writings by the Artist
Interviews, Articles and Reviews
Catalogues and Books
Films and Public Collections

Robbins, Anthony, "Smithson's Non-sites Sites", ArtNews, February 1969, p.50
Leavitt, Thomas, "Earth", symposium at A.D. White Museum, Cornell University, 1969
Lipke, William C. "Fragments of a Conversation With Patsy Norvell", edited, 1969
Wheeler, Dennis, "Four Conversations between Dennis Wheeler and Robert Smithson",
edited Eva Schmidt, 1969-70
Toner, Paul, "Interview with Robert Smithson", 1970
Bear, Liza and Sharp, Willoughby, "Discussion with Heizer, Oppenheim, Smithson",
Avalanche, Fall 1969
Muller, Gregoire, "The Earth, Subject to Cataclysms," Arts Magazine, November 1971
Kurtz, Bruce, "Conversation with Robert Smithson", Domus, November 1972, p. 53
Cummings, Paul, "Interview with Robert Smithson for the Archives of American Art,
Smithsonian Institution", 1972
Pettena, Gianni, "Conversation in Salt Lake City", Domus,November 1972
Sky, Alison, "Entropy Made Visible", On Site #4, 1973, p. 47
Roth, Moira, "Robert Smithson on Duchamp", Artforum, October 1973, p. 47
"Spiral Jetty", movie treatment photo from John Weber Gallery, New York
"Absurd View", 1970, drawing
"Robert Smithson's Amarillo Ramp", Avalanche #8, Fall 1973
"The Spiral Jetty", Big Deal 3, New York City, p.3
Boettger, Suzaan, "Robert Smithson", interview by Willoughby Sharp (1969), Art in America,
New York, December 1998, 75-81



Ashton, Dore, "Art", Arts & Architecture, December 1966
Bochner, Mel, "Primary Structures", Arts, June 1966
Bochner, Mel, "Art in Process-Structures", Arts, July 1966
"Minus Plato", Art & Artists, September 1966, p. 10


Michelson, Annette, 10" x 10": Concrete Reasonableness", Artforum, February 1967, p.30
Lippard, Lucy and John Chandler, "Visible Art and the Invisible Work", Art
International, May 1967
Mellow, James R., "New York", Art International, February 20, 1967
Burton, Scott, "Reviews & Previews", Art News, January 1967, p.19
Pincus-Witten, Robert, "New York", Artforum, February 1967
Greenburg, Clement, "Recentness of Sculpture", Art International, April 20, 1967
"Austellungen in New York", Das Kunstwerk, February/March, 1967, p. 25


Baro, Gene, "American Sculpture: A New Scene", Studio International, January 1968, p.9
Lippard, Lucy and Chandler, John, "The Dematerialization of Art", Art International,
February 1968, p.31
"Reviews & Previews", Art News, March 1968, p. 24
"New York Review", Artforum, May 1968, p. 62
Blok, C., "Minimal Art at The Hague", Art International, May 1968, p. 18
Pierce, James Smith, "Design and Expression in Minimal Art", Art International,
May 1968, p. 66
Mellow, James R., "New York Letter", Art International, May 1968, p. 66
"Images", Arts Magazine, June/Summer 1968, p. 21
"Austellungen in New York", Das Kunstwerk, April/May 1968, p. 23
Gilrardi, Piero, "Primary Energy and the "Micromotive Artists", Arts Magazine,
September/October 1968, p. 48
Hutchinson, Peter, "Science-Fiction: an Aesthetic for Science", Art International,
October 20, 1968 p. 32
Glueck, Grace, "Moving Mother Earth", New York Times, Art Notes, October 6, 1968
Hutchinson, Peter, "Earth in Upheaval: Earthworks & Landscapes", Arts,
November 1968, p. 19
Tillim, Sydney, "Earthworks and the New Picturesque", Artforum, December 1968, p. 42
Selvig, Forrest Hall, "Whitney Annual: Sculpture 1968", Arts Magazine,
December/January 1968, p. 25
Mussman, Toby, "Literalness and the Infinite", Minimal Art: A Critical Anthology,
edited by Gregory Battcock, New York, 1968, p. 42
Ratcliff, Carter, Art in America 56, no. 5, September - October 1968, p. 110
Junker, Howard, "The New Sculpture: Getting Down to the Nitty Gritty",
Saturday Evening Post, November 2, 1968, p. 42
Glueck, Grace, "Multiplicity is Key Word in City's Art Galleries this Fall",
New York Times, July 30, 1968, p. 32
Perrault, John "Long Live Earth", The Village Voice, October 17, 1968


Celant, Germano, Art Povera, New York, 1969, 139-145
Rose, Barbara, "Problems of Criticism V: The Politics of Art Part II", Artforum, January 1969
Kramer, Hilton, "The Emperor's New Bikini", Art in America, January/February 1969, p.49
Perreault, John, "Art Down to Earth", The Village Voice, February 13, 1969, p. 18
Perreault, John, "Non-Sites in the News", New York, February 24, 1969, p. 44
Perreault, John, "Art off the Wall", The Village Voice, March 13, 1969, p. 13
Kozloff, Max, "Art", The Nation, March 17, 1969, p. 347
Rigg, Margaret, "The Art of Protest", Civil Liberties, February 1969, p. 16
Manhattan East, February 21, 1969
Trimi, Tomasso, "Imagination Takes Command", Domus, February 1969, p. 43
Review, Arts Magazine,1969
Pincus-Witten, Robert, "New York", Artforum, April 1969, p. 69
Burton, Scott, "New York: Robert Smithson's Non-Sites", Artscene, April 1969, p. 22
Bourdon, David, " What on Earth!", Life Magazine, April 25, 1969,
Shirey, David, "Impossible Art-What it is Earthworks", Art in America, May/June 1969, p.33
Schjeldahl, Peter, "New York Letter", Art International, April 20, 1969, p.62
Weinhardt, Carl J., "Painting and Sculpture Today: 1969", Bulletin/Indianapolis Museum
of Art, May 1969, p. 210
Reise, Barbara, "Untitled 1969: A Footnote on Art and Minimal Stylehood",
Studio International, April 1969, p.166
Kudielka, Robert, "The Art of the Real", Das Kunstwerk, April/May 1969, p.51
Blok, C., "Letter from Holland", Art International, May 20, 1969,p. 51
Meyer, Ursula, "De-Objectification of the Object", Arts Magazine, Vol. 443, No. 8,
1969, p.21
Robbin, Anthony, "Smithson's Non-site Sites", Art News, February 1969, p.50
Plagens, Peter, "The Possibilities of Drawing", Artforum, October, 1969. p.54
"Highlights of the 1968-69 Art Season", The Aldrich Museum of Contemporary Art…..
Alloway, Lawrence, "The Expanding and Disappearing Work of Art", Auction,
October 1969, p.36
Lowndes, Joan, "Art", The Province, Canada, December 1969
Celant, Geramno, "Nature Has A Risen", Casabella, August/September 1969, p.104
Bonito Oliva, Achille, "Tempo Concreto", Domus, December 1969


Rosenberg, Harold, "The Art World", New Yorker, January 1970, p. 6..
Staber, Margit, "Prospecta-Kunstmarkt 1969", Art International, January 1970, p. 69
Von Bonin, Wibke, "Germany: The American Presence", Arts Magazine, March 1970, p. 52
"La Scultura Americana", L'Arte Moderna, No. 115,
Vol. XIII World Progress, Summer, 1970
Battcock, Gregory, "Informative Exhibition at the Museum of Modern Art", Arts
Magazine, Summer 1970
Leider, Philip, "How I Spent My Summer Vacation or Art and Politics in Nevada,
Berkeley, San Francisco and Utah", Artforum, September 1970
Shapiro, David, "Processionary at the Conceptable", Art News, September 1970
Lippard, Lucy, "The Art Worker's Coalition: Not a History", Studio International,
November 1970, p.171
Ashbury, John "Previews & Reviews", Art News, December 1970
"Robert Smithson", Art Now, New York", Vol. 2, No. 9
Perrault, John, "Art: That Time Again, Village Voice, December 24, 1970


"Whitney Sculpture Show", Pictures on Exhibit, January 1971, p. 8
"News of the Art World", Arts Magazine, December
Mashek, Joseph, "New York", Artforum, January 1971, p. 73
Junker, Howard, "The Apocalypse of Our Time is Over", Rolling Stone, February 18,
1971, p. 42
Taylor, Robert, "Boston", The Art Gallery, February 1971, p. 21
Schwartz, Therese, "News of the Art World", Arts Magazine, February 1971, p. 16
Schum, Gerry, "Tele-Landart", Domus, November 11, 1970, p. 56
Mashek, Joseph, "Sorting out the Whitney Annual", Artforum, February 1971, p. 70
Rose, Barbara, "Collecting Film Art", Vogue, March 1971, p. 74
Antin, David, "It Reaches a Desert in Which Nothing Can Be Perceived But Feeling",
Art News, March 1971, p. 69
Baker, Kenneth, "Of Course, But…", The Christian Science Monitor, February 23, 1971, p. 68
Jacobs, Jay, "New York Multiples", The Art Gallery, April 1971, p. 48
Henry, Gerrit, "New York Multiples", The Art Gallery, April 1971
Friedman, Bruce Jay, "Dirty Pictures", Esquire, May 1971, p. 112
Parent, Beatrice, "Land Art", Opus International, Vol. 23, p. 22
Green, Denise, "Projected Art at the Finch College", Art Magazine, May 1971, p. 54
Mashek, Joseph, "The Panana Canal and Some Other Works of Work", Artforum,
May 1971, p. 38
Linville, Kasha, "Sonsbeek: Speculations, Impressions", Artforum, Vol. X, No. 1, p.50
Kurtz, Bruce, "Sonseek", Arts Magazine, September/October, 1971, p. 50
Blotkamp, Carel, "Sculpture at Sonsbeek", Studio International, September 1971, p. 50
Muller, Gregoire, and Robert Smithson, "… The Earth, Subject to Cataclysms, is a Cruel Master",
Arts Magazine, November 1971, p. 36
Krauss, Rosalind, "Problems of Criticism", Artforum, November 1971
Harrison, Charles, "Art on TV", Studio International, Vol. 1818, No. 99, January 1971 p. 30


Alloway, Lawrence, "Network", Artforum, September 1972
Krauss, Rosalind, "A View of Modernism", Artforum, September 1972
Alloway, Lawrence, "Robert Smithson's Development", Artforum, November 1972


McDarrah, Fred W., "Robert Smithson", The Village Voice, July 1973, pp. 16-21
Bear, Liza & Holt, Nancy, "Robert Smithson's Amarillo Ramp", interview with Sid Feck
by Nancy Holt, forward by Nancy Holt & Liza Bear, Avalanche, Number 8,
Summer/Fall, 1973, pp. 16-22
Leider, Philip,"For Robert Smithson", Art in America, November/December 1973, pp. 80-82
Davis, Douglas, "Art Without Limits", Newsweek, Vol. LXXII, Nov. 26, December 24, 1973


Borden, Lizzie, "The New Dialectic", Artforum, Vol. XII, No. 6, March 1974, pp. 44-51
Gilbert-Rolfe, Jeremy, "Robert Smithson", Arforum, review, Bol. XV11, No. 1,
September 1974, p. 46
Celant, Germano, "Amarillo Ramp L'Ultima Opera di Robert Smithson", Domus,
February 1974, p. 46
Herrera, Hayden, "A Way of Thinking Out Loud: The Drawings of Robert Smithson",
Art in America, Vol. 62, No. 5, September/October 1974, pp. 98, 99
Coplans, John, "Robert Smithson, The Amarillo Ramp", Artforum, Vol. XII, No. 7,
April 1974, pp. 36-45
Perreault, John, "Field Notes for a Dark Vision", The Village Voice, May 9, 1974, pp.37-38
Russell, John, "He Dreamed of Floating Islands", The New York Times, Section D,
April 28, 1974, p. 19
Hess, Thomas B., "The Condemned Playgrounds of Robert Smithson, New York, Vol. 7,
No. 22, June 3, 1974, pp. 88-89
"Robert Smithson", Art-Rite, Issue No. 5, Spring 1974, pp. 10-12
Alloway, Lawrence, "Artists as Writers, Part Two: The Realm of Language", Artforum,
Vol. xii, No. 8, April 1974, pp. 30-35
"Scenes", Village Voice, October 10, 1974, p. 3
Art News, September 1974
Richard, Paul, "The Stuff of Art Romance, of Myth", The Washington Post, October 29,
1974, p. B8
Lewis, JoAnn, "Earthy Works Get a Rare Display Here", Washington Star News,
October 25, 1974


Bierman, William, "Burn the Woodshed!", Beacon, The Sunday Magazine of The Akron
Beacon Journal, July 20, 1975, Akron, Ohio, pp. 4-7, 14, 15, cover photo p. 1
Seeman, Joan, "The Flowering of American Sculpture", Art News, December 1975, pp. 46-48


Russell, John, "Drawing Now, One of Modern's Best", New York Times, January 24, 1976
Baker, Elizabeth, "Artworks on the Land", Art in America, January/February, 1976, pp. 92-96
Pollack, Duncan, "You Don't Need to See to Believe in Boulder", review of
'Locate/Order/Measure'Rugby Mountain News 'Now', Boulder, Co.,
October 19, 1976, p.30
Smith, Roberta, "Drawing Now (And Then)", Artforum, April 1976, pp. 52-56
McKenna, Kristine, "Earthworks Surveyed", Art week, Februry 21, 1976
Gilbert-Rolfe, Jeremy and Johnston, John, "Gravity's Rainbow and the Spiral Jetty",
an essay in 3 parts: October, (no. 1), pp. 65-85; October 2, 1976, pp. 71-90;
October 3, 1977, pp. 90-101
Bourdon, David, "Salt Mines Turn to Art, Photographs to Politics", The Village Voice,
May 1976
Russell, John, "Robert Smithson", review, New York Times, May 7, 1976, C12
Bignamini, Ilaria, "Photography: A Specific Communication for Artist Research",
Flash Art, May 17, 1976
Sischy, Ingrid, "200 Years of American Sculpture", review of catalogue, The Print
Collector's Newsletter, New York, July/August 1976, p. 9
Lubell, Ellen, "Robert Smithson", Arts Magazine, September 1976, p.19
Adrian, Dennis, "Art that's the Salt of the Earth", Panorama, Chicago Daily News,
October 9, 1976, p. 13


Andre, Carl, "Robert Smithson - He Always Reminded Us of the Questions We Ought to
Have Asked Ourselves", Arts Magazine 52, (9), New York, May 1978


Russell, John, "The Fertile Imagination of Robert Smithson", The New York Times,
November 30, 1980
Larson, Kay, "Enigma Variations", New York Magazine, December 1980
Kason, Mimi, "Smithson: A Day in New Jersey, a Night in Ithaca, East Side Express,
December 4, 1980
Mackin, Jeanne, "Environmental Art Indoors", The Ithaca Journal, November 27, 1980
Weinfield, Neal, "Earthworks & Non-sites", The Cornell Daily Sun, November 19, 1980
Chambers-Hartz, Jill, Cornell Reports, December 1980
Perreault, John, "Earth Moves", The Soho News, November 19, 1980


Graham, Richard, "The Landscape, Two Views", Whittier Globe, March 1981
Hellekson, Diane, "Solid Earth Works", Minneapolis Daily, February 6, 1981
Gossley, Mimi, "Robert Smithson: Sculpture", The Houston Post, December 13, 1981
Auer, James, "Landscapes, Inside Out", The Milwaukee Journal, March 1, 1981
Bourdon, David, Vogue, February 1981
McConathy, Dale, "Robert Smithson and Anti-Modernism: The Rapture of Past and Present",
Arts Canada, March/April 1981
Artner, Alan G., "With Smithson Sculpture, MCA Gets Down to Earth",
Chicago Tribune, April 26, 1981
Childs, C. Elizabeth, "Robert Smithson and Film: The Spiral Jetty Reconsidered",
Special Section: Robert Smithson, Arts, October 1981, pp. 68-81
Kuspit, Donald B., "The Pascalian Spiral: Robert Smithson's Drunken Boat",
Special Section: Robert Smithson, Arts, October 1981, pp. 81-88
Rubio, Eduardo, "Robert Smithson: Une Sedimentation de la Vie", Canal, November 1981
Dobbs, Lillian, "John Weber Artists Reject Traditional Modes", The Miami News,
January 23, 1981
Morrison, Don, "Enticing View of 'Landscape' opens at the Walker', Minneapolis Star,
February 6, 1981
Baker, Amy, "Smithson's Site/Non-Site: New York City Walk", Artforum,
February 1981
Calas, Nicolas, "Scandal's Witnesses Grafting Smithson on Bataille", Artforum, February 1981
Kurtz, Bruce, "Sculpture as Landscape", Portfolio, May/June 1981
Halley, Peter, "Beat Minimalism, New Wave and Robert Smithson", Art Magazine, May 1981
Lippard, Lucy, "Gardens: Some Metaphors for a Public Art", Art in America,
November 1981, pp. 136-150
Hicks, Emily, "Robert Smithson: Sculpture of Entropy", Artweek Review, September 19
Muchnic, Suzanne, "Reflecting the Legend of Smithson", Calendar, August 30, 1
Knight, Christopher, "The Very Rich and Complex Work of Robert Smithson",
Los Angeles Times, August 13, 1981
Iamco-Stirrels, Josine, "Robert Smithson Retrospective", The Los Angeles Times,
August 9, 1981
"Exhibits Span Artists' Careers", The La Jolla Light, August 9, 1981
Schulze, Franz, "Smithson Show Recalls Vanguard of Long Ago", New York Sunday Times,
May 31, 1981
Lyon, Christopher, "Scaling the Universe", The Reader, May 8, 1981
Artner, Alan G., "With Smithson Sculpture MCA Gets Down to Earth", Chicago Tribune, April 26, 1981
Wasserman, Isabelle, "Smithson Cut Swath in Art with Bulldozer", San Diego Union,
August 18, 1981


Kramer, Hilton, "Art: Smithson Sculpture Comes to the Whitney", New York Times,
February 8, 1982
Kurtz, Bruce, "Robert Smithson at the Whitney", Art in America, April 1982
Robertson, Allen, "Land and City Scapes"...
Baker, Amy, "The Challenge of Contemporary Patronage", Art in America, March 1982
Smith, Roberta, "Digging Smithson", Village Voice, March 30, 1982
Shapiro, David, "A Poetics of the Earth", Bennington Review 13, June 1982, pp. 35-38
Gabriel, Bertram, "Works of Earth", Horizon Magazine, January/February 1982


Gopnik, Adam, "Basic Stuff: Robert Smithson, Science, Science, and Primitivism",
Arts Magazine, March 1983


Wardell, Allen, "Rubin's Primitives", Art World, November 1984
Tomkins, Calvin, "Talisman", New Yorker, October 29, 1984
Hughes, Robert, "Return of the Native", Time, October 15, 1984
Russel, John, "Primitivism in 20th Century Art", London Times, October 30, 1984
Rose, Barbara, "The Man form MOMA", Vogue, September 1984
Brunetta, di Gian Piero, "Picasso l'Africano", Illa Republica, Roma, November 14, 1984
Eco, di Umberto, "Le Affinita Primitive", L'Expresso, October 28, 1984
Stevens, Mark, "Paying Tribute to the 'Primitive", Newsweek, October 11, 1984
Kramer, Hilton, "The Primitivism Conundrum", The New Criterion, December 1984
O'Neil, Thomas, "The Primitive Urge", Horizon, September 1984
Hohmeyer, Jurgen, "Im Kalten Fruhrot Fremder Kunst Begegnet", Der Spiegel,
November 1984


Narotzky, Susana, "Nueva York, Que es Primitivo? Que es Moderno", Lapiz, February 1985
McEvilley, Thomas, "Doctor Lawyer Indian Chief", "Primitivismn 20th Century the
Museum Art at Modern Art in 1984", Artforum, February 1985


Phillips, Patricia, C., "Robert Smithson at International with Monument", Artforum,
April 1986, p. 109
Tsai, Eugenie, "The Unkown Smithson", Arts Magazine, March 1986, pp. 33-35
Dreishpoon, Douglas, "Robert Smithson", Arts Magazine, April 1986, p. 113


Jones, Bill, "Michael Heizer, Robert Morris, Robert Smithson at Tony Shafrazi", Flash Art,
October 1988, p. 129
Staniszewski, Mary Anne, "Conceptual Art", Flash Art, November/December 1988, No. 145, p. 88
Allen, Jane Addams, "Post-modernism and the Romantic Temper", The World and I,
December 1988, p. 246-57
Mantegna, Gianfranco, "Open the Roof to the Rain!", Gordon Matta-Clark, Tema Celeste
October/November 1988, pp. 39-40
Reynolds, Ann, "Reproducing Nature: The Museum of Natural History as Nonsite",
October (45), 1988, pp. 109-27
Wood, Paul, Art Monthly, (review), May 1988


Arts Magazine, review, March 1989
Tsai, Eugenie, "Robert Smithson", Arena, January 1989, p. 40-7
Conversation between Sevedi Benedetto, Peter Halley, Robert Nickas, "Climates of Site",
Arena, January 1989, p. 48-53
Nickas, Robert, "The Politics of Time", Arena, January 1989, pp. 58-60
Review in Arts Magazine, March 1989
Neastved Tidende, September 14, 1989
"Robert Smithson's tegninger", Soro Avis, September 13, 1989
"Robert Smithson's tengenger", Sor Avis, September 20, 1989
Week-end Avisen, October 6, 1989
"Hor mere om Robert Smithson", Soro Tidende, October 19, 1989
"Amkericansk bulldozer-Kunst", Slagelse, September 15, 1989
Berlingske Tidende, October 29, 1989
"Enestaende Kuntoplevelse Kun I Soro", Soro Avis, September 20, 1989
"Land-Art", Information, October 5, 1989
Smith Dagbladet, October 10, 1989
Smith Dagbladet, October 15, 1989
Sabroe, Charlotte, "Han Arrangerer Natzen", Det Fri Aktvelt, September 20, 1989, p. 21
Wierup, Torben, "Jord I hovedet", Politiken, October 13, 1989
Hornung, Peter M., "Drawing Over Jorden", Politiken, October 13, 1989
Kobke Sutton, Gestrud, "Land Art", Information, October 25, 1989


Temin, Christine, "Provocative Show at Zoe Gallery Celebrates the Earth",
Boston Globe, January 4, 1990
Buchloch, Benjamin, "Conceptual Art 1962 - 1969: From the Aesthetic of
Administration to the Critique of Institutions", October 55, MIT Press,
Cambridge, Mass, 1990, pp. 105-143
Stapon, Nancy, "Our Land": Artists with Social Consciousness", Boston Herald,
January 10, 1990
Colpitt, "Space Commanders", Art in America, January 1990, p. 66-71
Calderon, Manuel, "Robert Smithson Dibujos (1960-1973), May 12, 1990


Spahr, P. Andrew, "Abstract Sculpture in America 1930-1970", American Federation of
the Arts, New York, 1991
Johnson, Ken, "The Political Arm", at John Weber, Art in America, June,
1991, p.148
Tuchman, Phyllis, "Robert Smithson's Earthwork's Genesis", New York Newsday,
October 25, 1991, p. 74


Tiberghein, Gilles, "Sculptures Inorganiqes", Les Cahiers, no. 39, 1992
Carpenter, Merlin, "Robert Smithson", Texte zur Kunst, February, 1992
Dreher, Thomas, "Robert Smithson: Land Reclamation and The Sublime", Arte Factum,
Vol. 45, Oct/Nov. 1992
Owens, Craig, "Photography en abyme", Beyond Recognition: Representation, Power
and Culture, edited by Scott Bryson, Berkeley, University California Press, 1992,
pp. 16-51
Graziani, Ronald Sisto: (De)terminating the Political Enframement in the art by Robert
Smithson, PH.D. disseration, University of California, Los Angeles, 1992


Gallagher, Shana, "Collections - Traces - Connections: Selections From the Robert
Smithson Papers", Archives of American Art, Regional Center Gallery
Creacion, (Volume 7), Seis Aritculos (issue dedicated to Smithson),
February 1993, pp. 56-112
Archer, Michael, "Robert Smithson:Photoworks", At the Museum, (The magazine of the
Los Angeles County Museum of Art), Los Angeles September, 1993
Knight, Christopher, "Bracing Look from Artist's Eye", Los Angeles Times, Sept. 11, 1993, pp. 10-11
Zevi, Adachiara, "Robert Smithson: Contro de lancette dell'orogiol - Against the Wheels
of Time", L'Architeturra, April 1993, pp. 295-298
Barden, Lane, "Infinite Camera: Robert Smithson: Photoworks at LACMA", ArtWeek,
November 18, 1993
Hagen, Charles, "Smithson's Way Looking at the Land", The New York Times,
December 31, 1993 p. C3
Jarques, Vincente, "Mas Alla del Minimalismo", El Guia, September 1993, pp. 54-55
"Las Escultureas Post-Minimal de IVAM", Diario, September 26, 1993
"El IVAM Centre del Carme Inaugura con dos Muestras", October 1, 1993, p.47
"Las Esculturea abre la Temporada en el Centere de Carmel, El Pais,
October 1, 1993, p. 10
"Dos Exposiciones en el IVAM: Pieter Laurens Mol y La Escultura Post-Minimal", Paris
Balenciano - El Punto de las Artes, October, 1993, p. 14
"Las Ultimas Tendencias", El Mundo, October 8, 1993, p. E4
Rivelles, Rafael Prats, "Una Appoximacion a la Escultuira Post-Minimal", Que Y Donde,
October, 1993, p. 7
"Tres Valencianos en el IVAM", Diario, October 24, 1993, p. 8
"La Minima Expression", Futuro, October, 1993
Illustration, "White Gravel Path", World Tour, pg. 10
"Exposiciones", RL: Revista de Royal Life Espana, October 6, 1993
"La escultura post-minimal en las collecciones del IVAM", Tendencias, No. 1,
November 1993, p. 32
Flanagan, Barry, "Esculturas Post-Minimal", Arte: Revista de las Artes Visuales, No. 7,
November/December 1993, pp. 53-54
Puvogel, Renate, "Robert Smithson", Artis, March 1993, pp. 36-41
Reynolds, Ann Morris, "Robert Smithson: Learning from New Jersey and Elsewhere",
PHD, Dissertation, City University of New York, New York, 1993


Muir, Gregoire, "The Epic and the Everyday", Flash Art, October 1994, p. 93
van Winkel, Camiel, "Robert Smithson - On the Road/off the Road", Metropolis ,
June 1994, p. 24-31
Jones, K. Marriott, "Robert Smithson - International Center for Photography", Artforum,
May, 1994, p. 99
"Conceptual Art and the Reception of Duchamp", October (70), MIT Press,
Cambridge, Mass.,1994, pp. 127 - 146


Criqui, Jean-Pierre, "Rising Sign", Artforum, Summer 1995, p. 80
Bordaz/Tiberghien, "Robert Smithson - Le Paysayage Entropoique 1960-1973",
Galleries Magazine, October/November 1994, p. 55
Krauss, Rosalind,"Passenger in the Shadows", Aperature (137), New York, Fall 1994, pp. 6-25
Risaliti, Sergio, "Marseille: Robert Smithson: MAC", Flash Art, March -April 1995, p. 112-113
"Tracing Cultures: Art History, Criticism, Critical Fiction", Whitney Museum of
American Art, Independent Study Scholars, 1995, p.139-157
Larson, Kay, "Art of the Modern Century", Atelier, May/June 1995, p. 72-77
Wakefield, Neville, "Hotel Palenque: Robert Smithson 1969-1972", Parkett,
No.43/1995, pp. 117-132
"Attitudes/Sculptures", CAPC Musee d'Art Contemporain de Bordeaux, 1995, pp. 98-115
Karmel, Pepe, "Robert Smithson: Early Works", New York Times, October 27, 1995, p.C29
"Hartford Art School Presents "The Edge of Town November 6, 1995- January 15, 1996",
Naugatuck Daily News, Monday, 1995
McNally, Brian, "The City, The Land, and Art", The Hartford Courant, Sunday,
November 2-9, 1995
Rosoff, Patricia, "Artists Who Move Mountains", Hartford Advocate, November 2-9, 1995
Hanna, Deirdre, "Robert Smithson's Earthworks Move Mountains", Hartford Advocate,
November 1995 (review from Art Gallery of Ontario)
Mays, John Bently, "Playing in the Mud", The Globe and Mail, August 19, 1995,
(review from Art Gallery of Ontario)
Girling, Oliver, "Outside the Inside", Eye Weekly, August 31, 1995, (review from Art
Art Gallery of Ontario)
Hume, Christopher, "His Unique Mark on the Landscape", The Toronto Star, August 31,
1995, (review from Art Gallery of Ontario)


Levy, Ellen K., "Repetition and the Scientific Model in Art", Art Journal, Spring, 1996,
Vol. 55, No. 1, p. 81, (illus)
Ruwedel, Mark, "The Land as Historical Archive", American Art (published in Canada),
Spring, 1996, pp. 36-41
Ursprung, Philip, "Robert Smithson's Hotel Palenque", Daidalos, December, 1996, pp. 148-153
Gallagher, Shana, "Collections - Traces - Connections: Selections From the Robert Smithson
;Papers", Archives of American Art, Regional Center Gallery
Zimmer, William, "On the Edge: Where Nature Comes Together with Culture", The New York
Times, Connecticut Weekly, Sunday, January 7, 1996, Section 13
"Hartford Art School Presents "The Edge of Town November 6, 1995- January 15,
1996", Naugatuck Daily News, Monday, 1996
Ottinger, Didier, "Spirales", Les Cahiers du Musee National d'Art Moderne #58,
Winter 1996, pp. 131-137
Bois, Yves-Alain & Krauss, Rosalind E.: "Formless: A User's Guide", October (78),
MIT Press, Cambridge, Massachusetts, 1996


Karakus, Gokhan, "Mirror Life", Blue, Premiere Issue No. 1, 1997, pp. 118-119
Levin, Kim, "Robert Smithson - Issues of Entropy", Village Voice, January 29, 1997
"Robert Smithson - Issues of Entropy", New Yorker, January, 1997
Kwon, Miwon: One Place after Another: Notes on Site Specifity, October (80),
MIT Press, Cambridge, Mass. 1997
Green, Renee, "Partially Buried", October (80), MIT Press, Cambridge, Mass., 1997
Goldberg, Vicki,.. "nature.. an infinite series of movie 'stills' - Robert Smithson:
SlideWorks", Milano, 1997, pp. 169-183


Miles, Christopher, "Going with the Flow", Art & Text (63), Paddington, Australia,
November 1998
Boettger, Suzaan, "Degrees of Disorder", Art in America, New York, December 1998, pp. 75-81


Vogel, Carol, "Spiral Jetty Given to Dia", Inside Art, The New York Times, Friday,
September 17, 1999
Tumlir, Jan, "Afterimage", at the Museum of Contemporary Art, Los Angeles,
Art/Text, #67, 1999, p. 83
Roth, Charlene, "Afterimage: Drawing Through Process", The Museum of
Contemporary Art, New Art Examiner, November 1999, p. 50
Molesworth, Helen, "Afterimage: Drawing Through Process", MOCA, Los Angeles,
Frieze, November/December, issue 49, 1999, pp. 102-103
Frank Peter, "Afterimage: Drawing Through Process Process", Museum of
Contemporary Art, Los Angeles, Art on Paper, December, 1999, p. 61


Glueck, Grace, “Defining Art as a Moment To be Seized and X-Rayed”, The New York
, Friday, April 26, 2000
Harris, Susan, “Robert Smithson at James Cohan”, Art in America, 2000, pp. 118-119
Schjeldahl, Peter, “All That Jazz”, The American Century: Art and Culture, 1900-2000,
The New Yorker, October 18 & 25, 1999, p.244, 246, 249
Ratcliffe, Carter, “Writer’s Blocks: Robert Smithson’s Drawings,” Art on Paper,
September-October, 2000, pp. 58-63
Clark, Robin, “Robert Smithson: Language to be Looked at and/or Things to be Read,
Drawings from 1962-63”, Part: Journal of the CUNY PhD Program in Art
, 2000
Howett, Catherine, "What Do We Make of Nature Now?", Harvard Design Magazine,
Winter/Spring 2000


Leider, Phillip, “Smithson and the American Landscape,”Art in America, January, 2001, pp. 74-79
Boettger, Suzaan, “A Found Weekend, 1967: Public Sculpture and Anti-Monuments,”
Art in America, January, 2001, pp. 80-85, 125
Dannatt, Adrian. "Review" The Art Newspaper. November 2001. p.70.
Newhall, Edith, "Art Cue-Talent: Landmarks" New York Magazine, Nov 12, 2001. p. 144.
Schwendener, Martha. "Robert Smithson 'Mapping Dislocations'" Time Out New York.
November 8-15, 2001. p. 70.
Williams, Gregory, "Robert Smithson" Artforum, Oct 12-Nov 24, 2001.


Cheetham, Mark and Harvey, Elizabeth, "Obscure Imaginings: Visual Culture and the
Anatomy of Caves," Visual Culture, no. 1, Spring 2002
Halle, Howard, "Lite Show," Time Out New York, August 29 - September 5, 2002. p. 52.
Kimmelman, Michael, "Out of the Deep" New York Times Magazine, October 13, 2002. p. 40.
Coomer, Martin, "On the Way There" Time Out London, October 9-16, 2002. p. 57.
Denny, Ned, "Enigma of Arrival" New Statesman, September 30, 2002.
Taylor, John Russell, "Road from Nowhere" The Times, September 25, 2002. p. T2.
Güner, Fisun, "Everyday Drive-by Shooting", Metro Life, September 23, 2002.
RCJ's best London Shows: revue, The Times, September 21, 2002.
Sumpter, Helen, "Get A Move On", The Big Issue, September 16, 2002.


Brown, Brenda J., "Cultured Pearl: Great Salt Lake Falls: Spiral Jetty Rises"
Landscape Architecture, May 2003, Vol. 93 no. 5.
Hummel, Debbie, “Great Salt Lake: More than meets the nose”, Deseret Morning News,
Sunday, November 2, 2003


Sanford, Melissa, “The Salt of the Earth”, The New York Times, Tuesday, January 13, 2004 (p. E1)
Boettger, Suzaan, “Behind the Earth Movers”, Art in America, April 2004, (pp. 54-63)
Landi, Ann, “Moving Mountains, Walking on Water”, Artnews, June 2004 (pp. 85-87)
Weiss, Jeffrey, “Language in the Vacinity of Art: Artists’ Writings, 1960-1975”,
Artforum, Summer 2004, XLII, No.10
Jones, Caroline A., “Mirror, Mirror”, book review, Artforum,
Summer 2004, XLII, No. 10 (p.37).
Boren, Ray, “A ‘Spiral’ Moonrise”, Deseret Morning News, Friday, June 4, 2004
Sanford, Melissa, “Jetty Restoration Under Consideration”, Deseret Morning News,
Sunday, January 18, 2004
Husband, Stuart, “Ever decreasing circle”, The Observer Magazine, April 25, 2004
Collier, Ric and Jim Edwards, “Spiral Jetty, the Re-emergence”, Sculpture Magazine,
July/August 2004
Lee, Pamela M., “Crystal Lite”, ArtForum, May 2004
Herman, Daniel, "Lords of Muddled Earth", ArtForum, January 2004
Kastner, Jeffrey, “Robert Smithson, Museum of Contemporary Art, Los Angeles”,
ArtForum, September 2004
Knight, Christopher, “A Pop Naturalist”, Los Angeles Times, September 13, 2004
Carson, Juli, “Museum of Contemporary Art, Los Angeles: A Minimal Future? Art as
Object 1958-1968,” CAA, July 15, 2004
Drohojowska-Philp, “A Minimal Future? Art as Object 1958-1968”, Artnews, June 2004 (p.
Godfrey, Mark, “Dimensions Variable”, Frieze, June/July/Aug 2004 (pp. 117-121)
Griggs, Brandon, “Upward Spiral”, The Salt Lake Tribune, September 23, 2004
“Outside the Gallery”, Improper Magazine, September 2004, (p. 36)
Metzger, Rainer, “Organisierte Oberflache”, Parnass, September/October 2004 (pp. 56-
Pincus, Robert L., “A career spirals back into view at MOCA”,,
October 3, 2004
Frank, Peter, “Robert Smithson at MOCA (through Dec. 13, 2004)”, Art on Paper,
November/December 2004 (pp.79, 80)
Wagner, Anne M., “Robert Smithson: Museum of Contemporary Art, Los Angeles”,
ArtForum, December 2004 (pp.186-189).
Lee, Pamela M., “The Cowboy in the Library: The New Robert Smithson”, BookForum,
December/January 2005 (pp. 6-12)
Knight, Christopher, “A Swirl in Time”, Los Angeles Times, October 17, 2004
Martín, Patricia, “Colección Jumex: A Learning Experience,” Arco, winter 2004
(p. 48) (mention)
Heartney, Eleanor, “Rediscovering Ana Mendieta”, Art in America, November 2004
(pp. 138-143) (mention)
McEvilley, Thomas, “Philosophy in the Land”, Art in America, November 2004
(pp. 158-163) (mention)
Bochner, Mel, “Language Factory”, Frieze, November/December 2004 (pp.103-105)
Jones, Kristin M., “Ana Mendieta: Whitney Museum of American Art, New York, USA”,
Frieze, November/December 2004 (p.111) (mention)
Benfey, Christopher, “The Year of Art and Archaeology,” The New York Times,
book review, December 5, 2004
Rose, Julian M., “A Tale of Two Paintings,” The Harvard Crimson, Arts,
December 17, 2004 (mention)
Thomas, Sean, “This Epic Earth,” The Guardian, December 22, 2004
Triff, Alfredo, “A Fine Sense of Place,” Miami New Times, December 23, 2004
Kimmelman, Michael, “Postwar Japan, Mon Amour,” The New York Times, December
26, 2004
Sanford, Melissa, "The Salt of the Earth Sculpture", The New York Times, The Arts,
Tuesday, January 13, 2004 (p. E1)
Meyer, James, "No More Scale: The Experience of Size in Contemporary Sculpture",
Artforum, Summer 2004, XLII, No. 10 (pp. 220-228)


Holte, Michael Ned, “Shooting the Archaeozoic: Robert Smithson’s adventures in time
travel on the road to Rozel Point”, Frieze, January/February 2005, Issue 88 (pp.
Trainor, James, “This Land is Your Land”, Frieze, January/February 2005, Issue 88
(pp. 94-97)
Grant, Daniel, “Robert Smithson Photographs: Too Scarce to State Demand”,
ARTnewsletter, October 12, 2004, Vol. XXX, No. 4 (pp.4,5)
Adams, Tim, “The Call of the Wild”, The Observer, January 16, 2005 (mention)
Whyte, Murray, “Dark, Playful Shapes by Dan Graham,” Toronto Star, January 26, 2005
Weinberg, Michelle, “Time Lapse,” Miami New Times, January 27, 2005 (mention)
Godfrey, Mark, “Image Structures,” ArtForum, February 2005 (pp. 146-153)
Mitchell, Charles Dee, “Quarry Master,” The Dallas Morning News, February 8, 2005
Emerling, Susan, “Robert Smithson,” Border Crossings, February 2005, pp.
Gopnik, Blake, “Christo’s Gates: A Little Creaky,” The Washington Post, February 14,
2005 (mention)
Johnson, Ken, “From Celebrity Faces to Creatures From Children’s Books,” Art Review,
The New York Times, March 4, 2005 (mention)
MacMillan, Kyle, “‘Gates’ a reason to smile in N.Y.C,” The Denver Post, March 14,
2005 (mention)
Richard, Frances, “Historic Williamsburg,” Artforum, March 2005 (p. 80)
O’Dell, Kathy, “Ana Mendieta,” Artforum, March 2005 (p. 233)
Dunham, Carroll, “Black Whole,” Artforum, March 2005 (p. 207) (mention)
Almereyda, Michael, “Eyes Wide Open,” Artforum, March 2005 (p. 223) (mention)
Harbaugh, Steven, “Inspiration unearthed,” Beacon Journal, March 31, 2005
Gilerman, Dana, “Jean d’Arc of the Ela Valley,” Haaretz (online edition), April 1, 2005
Weinberg, Michelle, “Not Just Pretty Pictures,” Miami New Times, April 7, 2005
Peranson, Mark, “The Top 40 Picks From the Tribeca Film Festival,” Village Voice,
April 12, 2005 (mention)
Gould, Whitney, “Reclaiming an industrial past,” Milwaukee Journal Sentinel, April 10,
Saltz, Jerry, “To Hell and Back,” The Village Voice, art & photo, April 18, 2005
Mansfield, Susan, “A Search for Grains of Truth,” The Scotsman (online edition), April
23, 2005 (mention)
Searle, Adrian, “I didn’t laugh. I ran,” Guardian (online edition), April 26, 2005
Gale, Iain, “Anniversary Leap of Faith into Volcano of Discovery,” Scotland on Sunday,
May 15, 2005
Shinn, Dorothy, “Summit ArtSpace Shows off Drawings,” Akron Beacon Journal, May
22, 2005 (mention)
Dezeuze, Anna, “Open Systems-II,” Tate Etc., Issue 4/Summer 2005, pp. 36-39.
Baker, Kenneth, “Robert Smithson – Spiral Jetty,” Tate Etc., Issue 4/Summer 2005, pp.
Verlichak, Victoria, “Colección Jumex,” ArtNexus, No. 56, Vol. 3, 2005, p. 166
Russell, Jacinda and Chas Bowie, “Searching for Robert Smithson: What happens when
earth art is locked away?,” The Bear Deluxe Magazine, #22 Spring-Summer 2005 (pp. 31-33)
Genocchio, Benjamin, “Seeking Art’s Verities In Passaic,” The New York Times New
Jersey, June 5, 2005
Baird, Joe, “Floods pump life back into lake,” The Salt Lake Tribune, June 6, 2005
Kimmelman, Michael, “Serra reshapes space and time,”
International Herald Tribune, Art, June 8, 2005 (mention)
_____, “Open Systems: Rethinking Art At Tate Modern,”, June 9, 2005
Vogel, Carol, “A Posthumous Smithson Isle,” The New York Times,
Weekend Arts, Fine
Arts Leisure, Inside Art, June 10, 2005
_____, “Rising water brings change to Salt Lake,”, News, June 12, 2005
Saal, Mark, “Jump at the chance to see Jetty,” Standard Examiner, June 15, 2005
Robinson, Walter, “Smithson to circle Manhattan,”, June 15, 2005
Kley, Elisabeth, “Burnt Churches and Salt Pillars,” New York Press, Vol. 18, Issue 24,
June 15-21, 2005 (mention)
Hughes, Robert, “Man of Steel,” Guardian Unlimited, June 22, 2005 (mention)
Kunitz, Daniel, “Setting Sights on an American Visionary,” The New York Sun,
Arts and Letters, June 23, 2005
Kimmelman, Michael, “Sculpture From the Earth, But Never Limited by It,”
The New York Times, Weekend Arts,
Fine Arts Leisure, Art Review, June 24, 2005
_____, “Whitney Museum Presents Robert Smithson,”, June 24, 2005
Lewine, Edward, “Art That Has To Sleep in the Garage,” The New York Times, Arts &
Leisure, June 26, 2005
Buckley, Branwen, “Robert Smithson at the Whitney,”, June 27, 2005
Sholis, Brian, “Paint by Letters: Art Writing as Written Art,” New York Press,
Vol. 18 – Issue 26 – June 29-July 5, 2005 (mention)
Smith, Roberta, “Banks Violette,” The New York Times, Arts, Art in Review,
July 1, 2005 (mention)
Stevens, Mark, “The Maximalist,” New York Magazine, Art, July 4-11, 2005 (p. 110)
Scott, Andrea K., “Out of Site,” Time Out New York, July 7-13, 2005
Uroskie, Andrew V., "La Jetée en Spirale: Robert Smithson’s Stratigraphic Cinema,"
Grey Room , No. 19, Spring 2005, pp. 54-79.
Kaufman, Jason Edward, "Now you see it, now you don’t," The Art,
June 3, 2005
_____, "Robert Smithson," Time Out New York, Art, Don’t Miss, June 30-July 6, 2005
Howell, George, "Baltimore", Art Papers, Reviews, Mid-Atlantic, July/August 2005
(p.45) (mention)
Sozanski, Edward J., "‘Earth art’ better viewed in person," Philadelphia Inquirer, July 03,
Baker, Bob, "Robert Smithson," The Village Voice, Village Choices, Art, July 6-12,
Cotter, Holland, "Fanciful to Figurative to Wryly Inscrutable," The New York Times,
Weekend Arts, Fine Arts, Leisure, July 8, 2004
Zeaman, John, "Pioneer of the happening concept,", July 8, 2005
Kunitz, Daniel, "The Upside-Down Perspective," The New York Sun, July 14, 2005
Eleey, Peter, "Shannon Ebner: Wallspace, New York,", Reviews, July 14,
2005 (mention)
_____, "Hope Floats," The New Yorker, On the Horizon, Art, July 25, 2005
Kaufman, Jason Edward, "The most extravagant installation in history," The Art
, July 28, 2005 (mention)
Kunitz, Daniel, "Better See It Now," The New York Sun, Gallery-Going, July 28, 2005
Picard, Charmaine, Gareth Harris, and Diane Kagoyire, "Robert Smithson," The Art
, What’s On, New York, No. 160, July/August 2005
Kimmelman, Michael, "Whitney Museum: Robert Smithson," The New York Times,
Weekend Arts, The Listings, Art, Museums, August 5, 2005
Picard, Charmaine and Pablo Helguera, "Our Selection A-Z: New York," The Art
, What’s On, United States, September 2005, p. 2.
Lagnado, Caroline, "Full Scheme Ahead," ArtNews, Art Talk, September 2005
Panero, James, "Robert Smithson," The New Criterion, review, September 2005, pp. 70,
Stevens, Mark, "Floating Opus," New York Magazine, Fall Preview 2005, Art,
September 12, 2005, pp. 92, 93
Alpert, Lukas I., "Little Apple Afloat," New York Post, September 12, 2005
Bischoff, Dan, "Fantasy Island," The Star Ledger, September 15, 2005
____, "Floating Island," Time Out New York, Around Town, Listings, September 15-21,
Lowenstein, Kate, "Isle for an isle," Time Out New York, Art, September 15-21, 2005
Kennedy, Randy, "It’s Not Easy Making Art That Floats," The New York Times,
Weekend Arts, Fine Arts, Leisure, September 16, 2005
____, "Smithson’s Floating Sculpture," The New York Times, Editorials/Op-Ed,
September 17, 2005
Ring, Heather, "Robert Smithson’s Floating Island,", September 17, 2005
____, "Floating Island Art Exhibit Off Manhattan,", September 17, 2005
Green, Tyler, "Treasure of an island cruises the rivers around Manhattan," Los Angeles
, September 20, 2005
Salguero, Carolina, "Floating Island," Portside New, September 20, 2005
Alpert, Lukas I., "Barging Out," New York Post, September 21, 2005
Davis, Nicole, "Just like any other barge, only this one has bark and leaves," The
, Vol. 75, No. 18, September 21-27
Robinson, Walter, "‘Floating Island’ Reined In,", September 22, 2005
Kennedy, Randy, "A Miniature Gate in Hot Pursuit of a Miniature Central Park," The
New York Times
, Arts, September 24, 2005
Fletcher Stack, Peggy, "Sugary Delight," The Daily Herald, September 25, 2005
Hajela, Deepti, "‘Island’ floats trees, shrubs, bit of ‘whimsy’ around NY," The Arizona
, A&E, September 25, 2005
Awan, Jashar, "Whitney Museum of American Art," The New Yorker, Fall Preview, Art,
September 26, 2005
Milroy, Sarah, "Breaking the mould of Vancouver art,", Going Out:
Visual Arts, September 30, 2005 (mention)
Ratcliff, Carter, "A Heap of Smithson," Art in America, October 2005
Freeman Gill, John, "It Takes a Thief, but Is This One an Aesthete?," The New York Times, The City, October 2, 2005 (mention)
McQuaid, Cate, "Images from above encourage viewers to look within," The Boston
, A&E, Theater/Arts, October 7, 2005 (mention)
Saltz, Jerry, "Blood Monument," The Village Voice, art & photo, October 14, 2005
Cahill, Timothy, "America: An Eclectic Season for Museums Unfolds," The Seoul
, October 19, 2005 (mention)
Jones, Kristin M., "Bridge Freezes Before Road,", Reviews, October 27,
Green, Tyler, "No Time Like The Geological," The Wall Street Journal, Leisure & Arts,
October 29 – 30, 2005
Kurtz, Katie, "Writing Letters," The San Francisco Bay Guardian, Vol. 40, No. 6,
November 2 – 8, 2005 (mention)
Crookes, Matt, "Francis Alys (to be continued) 1992 -, Artspace," NZ Art Monthly,
Reviews, November 2005, <>
MacMillan, Kyle, "In the nature of artistic vision," Denver Post, Fine Arts, November 11,
Dillon, Brian, "Future Imperfect," London Financial Times, Arts & Weekend, November
11, 2005 (mention)
Hummel, Debbie, "Both wildlife and wild art are found at Great Salt Lake," Associated
Press, U-Entertainment, November 11, 2005
Gifford, Adam, "Memories Mismatched with Reality," The New Zealand Herald,
November 16, 2005 (mention)
___, "A Cheap Publicity Stunt," Redhead, Lower Manhattan Cultural Council, November
2005, <>
Barreca, Laura, "Robert Smithson: Whitney Museum of American Art," Tema Celeste,
Reviews, November/December 2005
Cochran, Rebecca Dimling, "Special Brings 20th Century Art into Focus," Art &
, December 2005 (mention)
Campbell, Jane, "County inspires Urquhart’s Map of Glass," Metro Toronto, December
22, 2005 (mention)
Stevens, Mark, "Culture Awards: Art," New York Magazine, December 19, 2005
Prichard, James, "Earthy Art Comes to G. Rapids," Lansing State Journal, December 24,
2005 (mention)
Gillies, Judith S., "How Art Shapes America," Washington Post, Arts & Living:
Television, December 25, 2005, pY03 (mention)
Kimmelman, Michael, "Art: The Highs and Lows," The New York Times, Arts and
Leisure, December 25, 2005, p. 35 (mention)
Kennedy, Randy, "Art that Requires a Hard Hat," The New York Times, Arts and
Leisure, December 25, 2005, p. 35
Goddard, Peter, "Close-up on America’s Art," Toronto Star, December 27, 2005
Schumacher, Mary Louise, "Drawn to White," Milwaukee Journal Sentinel, December
31, 2005 (mention)
Grass, Ray, "Box Elder County is fun – and educational," Deseret Morning News,
December 15, 2005 (mention)


Zohn, Catherine, "The Ten Best Things I Did Manage to Do in 2005," The Huffington
, January 5, 2006
Jones, Jonathan, "Rocks of Ages," The Guardian, January 3, 2006 (mention)
Newhall, Edith, "Nevelson, Not New, Yet Still Novel," The Philadelphia Inquirer,
January 6, 2006 (mention)
Mason, M.S., "Some of the Big Ideas behind Modern Art," The Christian Science
, Books, January 10, 2006
Gayford, Martin, "London Galleries: Long Walks, Deacons Grids, Egotist Clemente,"
Bloomberg, News & Commentaries: Regions, UK, January 11, 2006 (mention)
Saltz, Jerry, "Portrait of the Artist as a Young Artist," Village Voice, Art & Photo,
January 12, 2006 (mention)
Gale, Iain, "Playing to the Galleries," Scotland on Sunday, January 15, 2006 (mention)
Conrad, Peter, "Just lie back and think of Gateshead," The Observer, Art, January 22,
2006 (mention)
Allen, Greg, "Cleanup Crew:1, Entropy:0,", January 26, 2006

Prichard, James, "Goldsworthy Exhibit Focuses on the Arch," Associated Press, January
27, 2006 (mention)
Saltz, Jerry, "The Killing Fields: How can we look at images like these, let alone in an art
gallery?," The Village Voice, Art & Photo, January 27, 2006
____, "Out of the Blue in Abington," Artnet News, January 31, 2006

Eichler, Dominic, :Universal Experience, Hayward Gallery, London," Frieze, Reviews,
January-February 2006 (mention)
Pendle, George, "The Plain of Heaven," Frieze, Reviews, January – February 2006
Trainor, James, "Floating Island," Frieze, Reviews, January-February 2006
Trainor, James, "Things to Come," Frieze, Columns, January-February 2006
Trainor, James, "Odd Lots," Frieze, Reviews, January-February 2006 (mention)
Varty, Alexander, "Culture Shock," Georgia Straight, February 2, 2006 (mention)
Saltz, Jerry, "A Thorn Tree in the Garden," The Village Voice, Art & Photo, February 3,
2006 (mention)
Baker, Kenneth, "Richard Long's art can be viewed by all who take a hike –or go to
SFMOMA," San Francisco Chronicle, February 4, 2006 (mention)
Mehring, Christine, "Entropy Island," Texte Zur Kunst, 2006 (mention)
Zipp, Yvonne, "Vanishing Landscapes," The Christian Science Monitor, March 21, 2006
Vagner, Kris, "Tunnel Vision: Utah's hinterlands provide a stark backdrop for
environmental artists' enduring earth-based installations," Salt Lake City Weekly, June 15, 2006
Pécoil, Vincent, "The End of Perspective?," Tate etc., Summer 2006, pg. 54 (mention)
"Time Frame: A Group Exhibition,", June 26, 2006 (mention)
Saltz, Jerry, “Thunderstruck,” The Village Voice, September 28, 2006
Thornton, Brian, “The Meaning Behind Campus Art,” Stater Online, October 5, 2006
Ekaterana Barhep, Elle Décor Russia, November 2006, pg. 92
Schneller, Katia, Etudes photographiques, December 2006
Linsley, Robert, “The Surface of Space,” Canadian Art, Winter 2006


Williams, Richard J., “The Case for a Tale of Multiple Cities,” The Scotsman,
December 2, 2007
Chow-Fraser, Trevor, “It was the Best of Times; It was the End of Times,” The McGill
Daily, February 12, 2007
“Land Art: Natural Expressions,” Belfast Telegraph Travel, March 21, 2007
Aldiss, Brian, Frieze, Durian Publications, June 2007.
McTighe, Monica, ‘The Family Slideshow as Critical History in Renée Green’s Video
‘Partially Buried Continued.’’ Third Text, 4 July 2007.
Stercks, Pierre, “50 artistes américains,” Beaux Arts Magazine, September 2007
"James Benning: Casting A Glance," Redcat: Calarts Presents, 8 October 2007
Griffin, Kevin, "Green Films Take a Turn on the Red Carpet," The Vancouver Sun, 27

September 2007.
"Film weekend at Documenta 12," Documenta Kassel 12, 23 September 2007
Knight, Christopher, "Drawn to Startling Drawing," Los Angeles Times, 17 September
Watson, Chris, "Books: a Canadian Novel About History, Geography and Memory,"
Santa Cruz Sentinel, 12 August 2007
Kunitz, Daniel, "Enough at the Table for All," The New York Sun, 28 June 2007


Viveros-Fauné, Christian, “Conceptualist Lawrence Weiner’s Whitney Retrospective:
Reveals the Limitations of a Vaunted Conceptualist,” The Village Voice, 1
Thomas, Mary, “Mattress Factory’s Gestures Gain Energy With a Few Firsts,”
Pittsburgh Post Gazette, 20 January 2008
Kunitz, Daniel, “Enough at the Table for All,” The New York Sun, 28 June 2007
Harvey, Dennis, Casting a Glance (Documentary), Variety, 27 January 2008
Goddard, Peter, “Richard Serra,” The Toronto Star, 27 January 2008
“Robert Smithson’s Spiral Jetty Threatened by High Oil Prices,”, 30
January 2008
Hackett, Regina, “The Tyler Green Effect,”, 31 January 2008
“Artist’s Widow Fights to Save Husband’s Work,” Los Angeles Times, 3 February 2008
“Dia Art Foundation Fights Proposed Oil Drilling Near Robert Smithson’s Iconic
Artwork, Spiral Jetty (1970),” Dia Art Foundation Press Release, 6 February 2008
“Art Lovers Rally to Save Spiral Jetty From Oil Drilling,”, 6 February 2008
Kennedy, Randy, “Artists Rally for Spiral Jetty in Utah,” The New York Times, 6
February 2008
Finch, Charlie, “A Cosmic Joke,” artnet, February 2008
Henetz, Patty, “Drilling Near Spiral Jetty Raises Alarm,” The Salt Lake Tribune, 9
February 2009
Illia, Tony, “Oil Drilling Threatens Smithson’s Spiral Jetty,” Architectural Record, 12
February 2008
Speckman, Stephen, “Can Art, Oil Mix?  Spiral Jetty Friends Think Not,” Deseret
Morning News, 14 February 2008
“Don’t Deface Spiral Jetty’s ‘Canvas,’” Deseret Morning News, 17 February 2008
“Protecting a Monumental Sculpture,” The New York Times, 18 February 2008
“Protect the Jetty: State Should Prevent Drilling That Could Harm Artwork,” Salt Lake
Tribune, 19 February 2008
Cook-Romero, Elizabeth, “There Will Be Drilling – There May Not Be Art,” The New
Mexican, 22-28 February 2008
Blain, Françoise Aline, “Spiral Jetty in Danger,” Beaux Arts Magazine, Beaux Arts
Magazine/T.T.M. Editions, March 2008
Spector, Buzz, “Jury Statement in New Glass Review,” The Corning Museum of Glass,
March 2008
Levit, Robert, Harvard Design Magazine, March 2008
Brocvielle, Vincent, “Spiral Jetty,” Têtu, 2 March 2008
Januszczak, Waldemar, “Martian Museum of Terrestrial Art, Barbican,” Times Online,
16 March 2008
“The Museum of Modern Art, New York,” e-flux, 17 March 2008
Tsuchiya, Seiichi, Land Art, Bijutsu Shuppansha, 20 March 2008
Geijutsu Shincho, Shinchosha Co., Ltd., 25 March 2008
Johnson, Kirk, “Plans to Mix Oil Drilling and Art Clash in Utah,” The New York Times,
27 March 2008
“Spiral Jetty,” Radar Magazine, April 2008
Faure, Fabien, “Ma réponse a Kyoto – Richard Serra,” Fage Éditions, April 2008
Picard, Charmaine, “Over $1M Needed to Keep Developers Away from the Lightning
Field,” The Art Newspaper, Issue 190, 8 April 2008
“Report: Oil Drilling Planned Near ‘Spiral Jetty’ in Great Salt Lake,” USA Today, 15
April, 2008
Speckman, Stephen, “Governor Examines Proposal to Drill for Oil Near ‘Jetty,’”
Deseret News, 15 April 2008
“Huntsman Faces Great Salt Lake Issues,” Daily Herald, 16 April 2008
“Spiral Jetty Threatened by Oil Project,” United Press International, 20 April 2008
Terranova, Charissa N., “Early Video Art at UD’s Haggerty Gallery,” The Dallas
Morning News, 23 April 2008
Hindry, Ann, “Richard Serra: Monumenta,” Beaux Arts Magazine, Beaux Arts
Magazine/T.T.M. Editions, May 2008
Chamberlain, Colby, “The Moviegoer as Spelunker,” Cabinet, Summer 2008
Vanderbilt, Tom, “Earth Makers,” The New York Times, July 27, 2008
“Permit for Oil Drilling Near Spiral Jetty Denied,” Artinfo, August 15, 2008
Tar Magazine, October 2008
Ure-Smith, Jane, “Art wonder of the world in Utah, USA,” Times Online, December 7, 2008
Plath, Nils, “Robert Smithson’s Pursuit: Mapping some Traces of Remnants,” in Art and
Cartography, Springer Verlag, 2009
Kwinter, Sanford, “Olafur Eliasson’s Weather Project,” Harvard Design Magazine, Fal
2008/Winter 2009, #29


Boren, Ray, “'Spiral Jetty': Of salt and earth,” Deseret News, August 15, 2009
Bevan, Sheelagh, “Artists & Photographs,” Journal of Artists’ Books, Fall 2009


Le Feuvre, Lisa, “If at First You Don’t Succeed, Celebrate,” TATE ETC. Issue 18,January, 2010
Dryansky, Larisa, “La Carte cristalline: cartes et cristaux dans l'oeuvre de Robert
Smithson,"Centre Pompidou Journal, (Cahiers du MNAM #110, winter 2009-2010), 62-85.
Rexer, Lyle, "The Multioplication of Being, or a Reflective Abyss?" TATE ETC.
Issue 19, May, 2010

Bear, Liz and Christophe Cherix "Avalanche is Back", Art Mag, May 18, 2010
Sand, Monica, "Mirror-Travel in the outskirts of Stockholm, in homage to Robert Smithson's
'Incidents of Mirror-Travel in Yucatan' (1969)" Paletten, June 2010
Grant, Dr. Catherine, The Performance Space of the Photograph: From 'The Anti-Photographers'
To "The Directorial Mode'" Rebus, June 2010
Carroll, Colleen, "Scale in Art" Acts & Activities Magazine, November 2010
Sand, Monica, "Mirror-Travel in the outskirts of Stockholm, in homage to Robert Smithson's
Incidents of Mirror-Travel in the Yucatan, 1969" Paletten Art Magazine, June 2010
Frater, Jean-Denis, "Poetique du Chantier", Ligeia, Dossiers sur l'art, November 2010


Peabody, Rebecca, "Anglo-American Exchange in Postwar Sculpture,"Getty Publications,
Spring 2011
Eggebeen, Janna, "Dallas-Fort Airport," Public Art Dialogue, January 2011
Evans, Thomas M. "A Work about the Perceptual Process Itself, Taking Place Simultaneously as
an External Phenomenon and inside the Brain." OBJECT 13 (2010). Print
Dikeakos, Christos, contrib. Picture Start. Laughing Mountain Communications. Vancouver,
BC. Television.


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